Why Evil Dead is a horror remake/reboot done right

You can almost guarantee that a popular horror film will eventually get a sequel or a reboot. It’s the perfect way to snag a few bucks from audiences, as it leverages nostalgia but promises something new and exciting that you must see. But it goes without saying that history has shown audiences that many of these promises lack significant evidence. Remakes of classic horror films are usually exact copies of the original, or a lazy trope-fest. It’s a gruesome trick that somehow works with horror reboot after horror reboot found at the start of the cinema season every year. Everyone wants a flashback to the things they remember from their childhood, but when they are often promised something new, there is a false hope that it will only deepen the love for that particular franchise.

That’s why large production companies and mass audiences keep turning to franchises Halloween and Scream. They have a guaranteed audience, and those same audiences want to get as close as possible to experiencing it again for the first time. But for the most part, it just manages to make films that lack the creativity and heart that made the originals so great in the first place, as well as a sinking sense that audiences realize they’re seeing something that only resembles the memories they have Darling.

See also: Evil Dead: The Game Review

It’s rare for a reboot to block landing and do what it promises. Especially when dealing with popular franchises that fans hold personally. One of them is that of Sam Raimi The bad death. In the film world of cult fandom, there really isn’t anything that beats Raimi’s claim to horror fame. The franchise has carved itself into the Horror Hall of Fame with its groovy characters, gore, guts, boobies, traveling camera footage, and of course, chainsaws. When you make something new that will be respected and appreciated by so many fans, it’s almost guaranteed to be met with skepticism and concern, and as mentioned, not without reason. That is The bad deathhow could anyone repeat the unique experience one has when watching Raimi’s classic, especially for the first time?

Fede Alvarez can answer that. Don’t just try to recreate the original and try to get the same reactions to this film that fans had to the original. Innovate and try something new while respecting what made the original film so successful in the first place. Despite sharing the same skeleton as the original, the 2013 remake also shares its utterly over-the-top bonker tone, but in a different way. It doesn’t have the same comedic charm as the Sam Raimi film, but where it lacks laughter, it fills it with blood pools, violence and gore. To say the 2013 remake indulges in over-the-top blood and gore is an understatement. The last few minutes alone are enough to give any horror film the fight for its blood-soaked money. It’s intense and in your face, which works really well as it has a much more serious tone.

But what makes Fede Alvarez The bad death A remake works as well as a remake because it’s more than just copy and paste or a completely different movie that doesn’t even resemble the franchise with the name on the front. It’s pretty rare that audiences actually see an attempt to make a remake into something that can stand on its own when it comes to remaking a classic. But Alvarez has proven to be a talent in the realm of horror cinema.

The call to change the story and characters – including freeing Ash himself – was a bold one, but arguably one that was, and still is, needed in more horror remakes and reboots. but evil Dead has not been changed so much that it is no longer recognizable as part of The bad death Franchise. It’s still about a group of young people in a cabin in the woods who unleash demons on themselves by reading the Necronomicon. But while it still has that massive story element, it’s changed from just being a bunch of young adults staying in the cabin. It includes a deeper story about Mia and her attempt to come to terms with her drug addiction.

It’s a necessary change for new audiences while still retaining what kept fans of the original so entertained. It’s hitting the market of the new generation of horror lovers who grew up on the huge influx of owned films. It works for the body horror fans. But it obviously still works for the fans of over-the-top b-horror movies, much like it did for fans of the original films. For those looking for their first outing The bad death Franchise, maybe you shouldn’t start here. But that doesn’t mean it should be ignored as part of the franchise. Fede Alvarez evil Dead is what most horror reboots should aspire to and is easily a welcome entry into the franchise.

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