Logical questions have been raised regarding the city’s legal restrictions on certain social acts and whether the city’s “nonsense” culture meets the needs of Western viewers or not. Other Twitter users referenced systematic exploitation of domestic workers in the United Arab Emirates and expressed discomfort at getting to know wealthy individuals from this particular area — as opposed to those in the US who treat their employees or “servants” , as Ramona Singer would say, with the utmost dignity. Most notably, however, there is confusion about where the demand for the series is coming from. After Bravo .’s Most Recent Event Housewives summation, Salt Lake City, became a huge hit, this news was like a case of the network providing service too high without any real input from the audience.
This ungrateful development sheds light on a paradox regarding Real housewives‘cultural domination. In 2021, you could argue that the franchise has never been bigger. Pending legal scandals involving Beverly Hills‘Erika Jayne Girardi (estranged husband, Tom Girardi, is accused of stealing millions of dollars from his clients, including orphans of plane crash victims) and Salt Lake CityJen Shah’s (who is fighting conspiracy to carry out charges of electronic fraud and money laundering) has attracted the attention of the whole country and got their own attention 20/20 special. Salt Lake CityMary Cosby’s, meanwhile, has accused by former members of Faith Temple of running a religious cult. Real housewives recapper for The vulture Brian Moylan and entertainment journalist Dave Quinn have also released behind-the-scenes books to celebrate the show’s imprint on television. This year also brings us Real Housewives: Ultimate Girls Trip on Peacock, a spin-off that takes all-star housewives from different cities and sends them on a claustrophobic vacation, and a reboot The Real Housewives of Miami. And a star is born when Kathy Hilton makes a long-awaited appearance above Beverly Hills, capturing America’s heart, one confused facial expression at a time while pushing the Hilton name back into focus.
To the average Housewives fans, this past year’s events can sound like a Thanksgiving party (and I didn’t even mention Kyle Richards’ cinematic contributions). But allow me to counter the notion advertised by some Bravo loyalists that 2021 marks the “golden age” of Real housewives. In fact, I’d argue that, while the troll has practically reached new levels of visibility and launched self-celebrating content, 2021 has seen the television empire begin to crumble.
In the past, Real housewives sections focus on an interesting plot to a satisfying outcome, as when the women of Real Housewives of Orange County suspected Vicki Gunvalson’s then-boyfriend Brooks Ayers was faking cancer, or when the former Atlanta Housewife Porsha Williams accused Kandi Burruss and her husband of planning to drugged and assaulted her, and it turned out that Burruss’ former best friend Phaedra Parks started the rumor. But this year, more than any other year has revealed the limits of “bombshell” as the standard model of storytelling as opposed to the more conventional, organic conflict that has drawn viewers into shows. this from the very beginning. From strippers onward Atlanta arrive Erika Jayne of all above Beverly Hills rumors about Eddie cheating Potomac, these initial shocking moments don’t facilitate the infighting and chaos that viewers hope, leading to an unsatisfying conclusion that makes us regret our care for with these stories when they are over.
The kind of TV series increasingly produced by cast (aside from Erika Jayne’s legal woes, obviously) is why The Real Housewives of Salt Lake City, a show that has so far relied on shocking and strange moments in lieu of a compelling cast and exciting team dynamics, represents a drop in the quality of the franchise for me. Writer Kyle Turner write a profound passage about the show’s super-clear perception of Housewives tropes and archetypes, mostly pointing to Jen Shah, whose fake performance makes her tedious to watch even when she’s being chased by the FBI. While many housewives, even some of the best, are ready to create moments to meet viewers’ expectations, Salt Lake City feels like the birth of largely self-produced,Real housewives era.
While many fans were distracted by The Last Girl’s Trip and Salt Lake City, can’t forget the national disaster already Real Housewives of New York City season 13 (still ongoing). After casting the first Black Housewife, former Fox News host Eboni K. Williams—A decision that was supposed in the works before last year’s Black Lives Matter protest but nevertheless appeared to be a response to it — the show demonstrated the difficulty of integrating black women and women of color into an all-white historical space, as certain members are unprepared for discussions of race and frequently cross the line. (We saw this with Garcelle Beauvais and Crystal Kung Minkoff on Beverly.) mountainss and Dr. Tiffany Moon on Dallas also). The frustrating professional Williams is also a remarkably odd fit for the series, which thrives on messy, often drunken antics. Likewise, the show heralded a reunion for the first time due to bleak ratings and perhaps Ramona Singer’s fear of the mouth.
“After casting its first Black housewife, former Fox News host Eboni K. Williams… the show demonstrated how difficult it can be to combine Black women and women of color into historical spaces. all-white, as some actors were unprepared for discussions of race and frequently violated .”
Outside of a series in need of improvement (no pun intended), RHONY it seems it will be the most difficult to operate. Will the show go back to what it used to be — a sitcom about old, politically incorrect white women, or a pledge to be a more awkward show about generations and cultures? conflict? Or should it get rid of the oldest housewives in favor of younger women like Leah McSweeney and become a real life Sex and the city? Any amendment that does not include housewives of color will fuel accusations that the show abandoned its diversification mission after a failed test. But from a female audience Black doesn’t think it’s racist Housewives programs are inherently receding, I would appreciate not having to witness black women being abused in my showbiz.
In the end, I don’t think critical fans like me should completely panic, as always Real housewives show peak and valley encounters. And the low points of some series have aged surprisingly well years later. 2021 was a noticeably messy year, but the addition of an old, relatable cast to Orange County and Atlanta It feels like the makers started from square one and tried to rebuild. And Real Housewives: Ultimate Girls Trip looks like a development that will continue to pay off in future seasons.
Contrary to the franchise’s branding, I’m looking forward to a slightly less chaotic new year.
https://www.thedailybeast.com/the-real-housewives-chose-chaos-in-2021-can-it-survive?source=articles&via=rss ‘True housewives’ have chaos in 2021. Can it survive?