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Thriller of the Year Passed SXSW, From ‘X’ to ‘Bodies Bodies’ and More

For the past week, Austin has been soaked with blood, liver, and blood – figuratively at least. SXSW has long been a favorite of studios for horror premieres; previous launches have included A Quiet Place, We, Cabin in the Woods, Invitation, and Drag me to hell. This year’s film season is no exception.

Ti West’s X and Halina Reijn’s Agencies Agency Agencies (with the convincing participation of Pete Davidson) has ranked among the most anticipated films. In either case, the end result lives up to the hype — and better yet, where a lot of the other stuff comes from. See for yourself (if you dare!) all of SXSW’s best horror productions.

X

Let’s start with the most obvious. Devil’s house Director Ti West’s killer borrows heavily from films like Chainsaw massacre in Texas and Mental, not to mention some of M. Night Shyamalan’s freaky grandparents movies Visit. But at no point does it feel derivative. The brilliant performances by stars Mia Goth (seen here in dual roles), Brittany Snow, Jenna Ortega and Kid Cudi build on this macabre story about a group of young and beautiful people who show up on a remote farm shunned to film porn. When their older hosts find out what they’re up to, the bloodbath begins. Set in 1979, the film is a gripping bloody comeback and an absolute must-see — even if its thematic work is sometimes more effective than its murder scenes.

X Currently showing in theaters.

ORGANIZATIONS ORGANIZING BOARDS

Speaking of stellar cast — have you seen the incredible variety of performers Reijn has filled for the deadly hurricane party at the heart of horror comedy Agencies Agency Agencies? (Or, as my brain insists on calling it thanks to Megan Thee Stallion, Body-ody-odies?)

Starting with Pete Davidson, in climactic form here as an obnoxious tool, and then adding Lee Pace in climactic (and, let’s be honest, physical) form, Amandla Stenberg, Borat Next Moviefilm breakthrough Maria Bakalova, and Shiva Baby star Rachel Sennott — who runs away with the entire movie.

Here, a group of twenty rich and obnoxious people (and, in the case of Lee Pace, one of their too-old boyfriends) come together to weather a dangerous storm. But things get too tense when they decide to play a party game that exposes all the emotional rifts hidden in their seemingly warm friendship. Extremely funny and unpredictable until the end (at least in terms of How the bodies all fall to the floor in the end), which is definitely better when viewed in a crowd.

A24 has yet to announce a release date for Agencies Agency Agencies.

CLOCK

So far, this year’s most Alfred Hitchcock-ian debut, Followers marks a film premiere of the director, Chloe Okuno. But its lead, It tracks and Customer star Maika Monroe, is at home in this latest thriller — which sees her play a New Yorker named Julia, who moves from abroad to Bucharest after her husband’s promotion.

Infatuation, paranoia and a sense of selflessness underpin this intense character study, which premiered at Sundance earlier this year; Julia, who does not speak Romanian, feels isolated and has to rely on her husband to translate for her. It was an incredible position to be in, especially when a man began to constantly watch her from the window across the street. Is he really stalking her, or is she just imagining things like all the men around her seem to believe?

“Is he really stalking her, or is she just imagining things like all the men around her seem to believe? ”

Monroe plays Julia with the right mix of nervousness and self-doubt; The character’s certainty about her situation becomes bewildering and waning as she faces many people who refuse to believe her. Okuno imbues each shot with horror, and the film’s washed-out color palette creates a perfect canvas for the film’s brutal, blood-saturated end. Horror fans who still don’t know Okuno’s name will almost certainly soon; This is a must-see and she’s got a Netflix thriller starring Anna Kendrick.

Followers will hit theaters on June 3.

HYPOCHONDRIAC

Among the most visual creations of this year’s SXSW thrillers, Hypochondriac examines the ways that untreated childhood trauma can come back to haunt us — through the story of a potter who begins to hallucinate a person in a wolf suit.

Writer-director Addison Heimann revisits a real-life personal trauma in this story, which follows a man named Will (Zach Villa) as he tries to navigate an increasingly serious relationship. full. His partner, Luke (Devon Graye), is also kind and supportive when they come. But Will struggles to trust him and open up, largely thanks to his traumatic experiences with his mother, who tried to kill him during his adolescence. That becomes a big problem when Will begins to hallucinate and suspect that he may have more in common with his mother than he wants to think.

Villa, previously seen in Destroyer and American Horror Story: 1984, exuding horror in this role. Cinematographer Dustin Supencheck’s camera movement is disorienting, and at Will’s worst moments, we see everything in a dizzying whirlwind of kaleidoscopes. The main fear for survivors of parental abuse may be the possibility of one day becoming like their abuser — a concern. Hypochondriac Explore both sensitively and thoroughly. Thankfully, though, the film offers a glimmer of hope before all is said and done.

Hypochondriac is set to release on April 8.

JETHICA

By far the most sparse of SXSW horror productions, Jethica It’s a small, idiosyncratic gem. Pete Ohs directs Callie Hernandez (Blair Witch) as Elena, a young girl mysteriously reunited with an old friend from high school named Jessica (Ashley Denise Robinson). Turns out, Jessica has a stalker who follows her across the state lines. These are no ordinary creeps either; It will take more than a restraining order or jail time to get rid of him.

Hernandez and Robinson make a great pair, with a chemistry that feels effortless and instantly familiar. The two also vibe with Ohs’ minimalist style, which focuses on dry humor and blends any kind of sentiment – at least until the end of the film, where everything is considered sweet. surprisingly.

Release date for Jethica has not yet been announced.

BITCH ASS

Original Candyman Tony Todd has always been a welcome presence on our screens. Here the actor plays the narrator of a macabre story in which a simple robbery turns into a bloody one, Squid fishing game-like massacre.

“One by one, they tried their best for him — and one by one, they fell. Whether anyone can really beat him is what we need to find out.”

Actor and writer Bill Posley made his directorial debut with this film. “Bitch Ass” is the name given to our protagonist and antagonist, played by Tunde Laleye, by his high school bullies. (His real name is Cecil.) An homage to Negro horror films like Tales from the Hood and People under the stairs, Bitch Ass find Cecil set a series See-like traps, all based on his childhood favorite games, for robbers he knows are coming to rob his grandmother’s house. One by one, they tried their best for him — and one by one, they fell. Whether anyone can really beat him is what we need to find out.

Filled with clever editing and action with both creepy conviction and sombre humor to the end, Bitch Ass is well paced because it is devilish. Its plot is never late, and not a single episode extends beyond its welcome period. If so, I just wish they found a way to keep Tony Todd on my screen a little longer.

Release date for Bitch Ass has not yet been announced.

SISSY

Aisha Dee has a long way to go Bold Type in this lavish Australian horror comedy from directors Hannah Barlow and Kane Senes.

This movie has a candy-colored twist, as Dee plays Cecilia, a hugely popular mental health influencer and half of a duo of close friends who come to an abrupt end, secret. Reuniting 12 years after the truth with her former BFF, Emma, ​​Cecilia – who definitely no longer calls her childhood name, Sissy – agrees to come along for her bachelor’s weekend. her in a secluded wooden house in the mountains. However, she doesn’t realize that she will soon be reunited with another old schoolmate — one who is less than excited to meet her.

With Hypochondriac and Bitch Ass, Sissy is one of the most visually memorable of this year’s releases. It’s meticulously and humorously stylized to unfold like the cinematic version of Instagram’s glitter filter, a deliberate contrast to the sometimes nauseating gore of the proceedings itself. . Dee is a terrifying revelation as Cecilia, a character whose true nature (like everyone else in the film) eludes us until the very end.

Shivering achieved Sissy but has yet to announce an online release date.

DEADSTREAM

The culture of “like and subscribe” has never been so cold to the bone. The couple’s writer-director duo Joseph and Vanessa Winter’s horror comedy see Joseph playing a disgraced stunt streamer who decides the best way to win back his followers (and hopefully win back his followers). more sponsors) is to stay overnight in a haunted house. That went as well as one might expect.

Shawn built his career by “facing his fears” online, but this stunt takes things to the next level. He may have prepared garlic, Holy water, and other anti-demon stuff, but Winter’s big-mouthed character has no idea what he’s up against. Winters plays his character with the right mix of sincere fear and shrill screams on stage; At first, it’s hard to tell how nervous a character is – a staple of most paranormal shows. In the end, however, there is nothing to confuse with real fear.

Staged like a found footage movie, Dead line turn in Dead Devil territory in its beautiful final act—a fantastic spooky performance with realistic creature effects sure to warm the heart of any Sam Raimi fan. Other than that, all I can say is it’s best to go completely cold.

Shivering achieved Dead line but has yet to announce an online release date.

https://www.thedailybeast.com/the-year-horror-movies-took-over-sxsw-from-x-to-bodies-bodies-bodies-and-more?source=articles&via=rss Thriller of the Year Passed SXSW, From ‘X’ to ‘Bodies Bodies’ and More

Russell Falcon

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