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The wildest zombie movie ever with a zombie battle with a shark

Zombie movies push the envelope pretty far with just their central premise. The filmmakers have to be really creative if they want to bring the gore scene beyond the audience’s expectations when the audience has been expecting the zombies to search for brains and human flesh to eat.

With his original masterpieces Night of the Dead and Dawn of the Dead, George A. Romero – considered by many to be “The Godfather of Zombies” – determined that the best zombie movies use a simple, gory narrative framework as a vehicle for satire and social commentary.

RELATED: Modern zombie movies take the wrong lesson from Romero’s films

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Instead of focusing on the satire of Romero’s work, Lucio Fulci drew inspiration from the ghastly image and found a way to send blood and liver to places even darker, uglier than Romero. While his clumsy colleagues were peddling crazy, greedy reviews in a futile attempt to emulate Romero, Fulci discovered a new way to do it. an unforgettable zombie movie: by pushing the gore, violence and horror far beyond all else.

A woman's eye is stabbed in Zombie Flesh Eaters

One of Fulci’s Most Infamous Horror Movies – 1979 Zombie Flesh Eaters – there are moments of incredible violence like a zombie stabbing a woman’s eyeball on a piece of wood (recognizably detailed), swarms of maggots erupting from the rotting flesh of the corpse alive, and most famously a zombie grappling with a shark.

Zombie Flesh Eaters just one of the many titles of this movie. It was originally released in Italy under the name Zombie 2, because it is formed as sequel of Dawn of the Dead, had been released in Italian theaters a year earlier under the title Zombies. However, since Dawn of the Dead not known as Zombies in most other countries, Zombie 2 had to be reformed in most foreign markets. Around the world, this movie is known as Zombie Flesh Eaters, Zombie: The Deadly Walk Between Us, L’Enfer de Zombies, Gli Ultimi Zombi, Woodoo, Sanguella, Nightmare Island, and Island of the Dead.

Dardano Sacchetti wrote the script for the sequel to Dawn of the Dead (or at least the version of Dawn of the Dead that Suspiria Directed by Dario Argento intersect for the European market), but Zombie Flesh Eaters a lot is its own beast. It’s like a sequel to Dawn of the Dead as Dawn of the Dead as its official predecessor, Night of the Dead. It revolves around new characters in a new location dealing with the same zombie apocalypse. If so, it feels like a spiritual successor to Romero’s genre-defining masterpiece.

Set in a world already in the ravages of the zombie apocalypse – specifically on a Caribbean island where a voodoo curse is bringing the dead back to life – Zombie Flesh Eaters supposedly a better third for Romero’s Dead trilogy rather than Romero .’s Day of the Dead.

A bloody zombie in Zombie Flesh Eaters

When it was first released in 1979, Zombie Flesh Eaters has been met with widespread controversy – particularly in the United Kingdom, where it was labeled a “disgusting video” because of its graphic content. The film was dismissed by contemporary critics as a B schlock film, but since then reevaluated as a cult classic and a misunderstood gem of horror.

Fulci is one of the most daring filmmakers ever to come to terms with horror cinema. The director has worked in every genre during his nearly half-century-long career, including comedies and Western spaghetti, but he has always been known for his horror films. Thanks to his zombie-infested gems like Go beyond and classic giallo like The New York Ripper and Killer stone, Fulci shared the nickname “The Godfather of Gore” with Herschell co-director Gordon Lewis.

Zombie Flesh Eaters It’s not Fulci’s best film, but it’s one of his most creative and entertaining endeavors (which goes a long way, seeing as one of his other zombie movies features dozens of gangsters). worms crawl out of the dark to chew on a guy’s face.) The scene of gouging out the eyes mentioned above is particularly gruesome. It’s even more disgusting and alluring John Wick stabs a henchman directly in the eye with his knife.

The film’s spooky score was provided by frequent Fulci collaborator Fabio Frizzi, one of the greatest horror composers of all time. Along with Goblin, Frizzi is one of the famous zombie movie scorers with music grind in Shaun of the Dead by Pete Woodhead and Daniel Mudford. The rhythm of the overwhelming wall of sound he draped over the bloody action of Zombie Flesh Eaters was inspired by “A Day in the Life” by The Beatles. Frizzi even blends several styles of Caribbean music to combine the horrors of the screen with the sounds of the tropical paradise where they take place.

Zombie Flesh Eaters Zombie Flesh Eaters

No less horrifying than the gouging out scene, the most infamous moment in Zombie Flesh Eaters is, without a doubt, when a zombie wrestles with a shark. Jay Baruchel’s t-shirt outfit in This is the end, the scene manages to pack every hallmark of mining cinema into one sequence: gore, nudity, and pure B-movie absurdity.

In this set-piece, which can only be described as “Russ Meyer’s Dawn of the Dead meeting Jaw, ”A topless scuba diver meets a hungry great white shark in the middle of the ocean, then attacked by a dead body on the seabed. The diver escaped when the zombie tried to bite the shark and severed his arm. As finale of Jurassic Park With T. rex and velocities, this scene shows the two monsters relentlessly destroying each other as they give up their pursuit to fight each other long enough for the protagonist to escape.

This scene wasn’t actually filmed by Fulci himself. It was conceived and staged by Ugo Tucci, then filmed by Giannetto de Rossi without Fulci’s approval. The scene takes place in Isla Mujeres and the zombies are played by a local shark trainer.

Zombie on the bridge in Zombie Flesh Eaters

Zombie Flesh Eaters not the best zombie movie out there by a long shot. Night of the Dead and Dawn of the Dead, Romero double whammy that identify the tropes of the genre, set a very high bar. 28 days later there’s a refreshing dose of harsh realism, while Train to Busan Use the wagons to explore the class divide.

Even Shaun of the Dead, It’s a mostly fake, has more than enough memorable characters, unexpected plot twists, and fiercely effective jump scares to qualify as one of the best in the genre. With all this competition, Zombie Flesh Eaters didn’t even make the top 10 of this category.

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