On Thursday, Paramount + dropped the second episode of Return of the real world: Los Angeles, NS reboot of the iconic MTV reality show The real world to reunite former actors to recount the most dramatic moments of their seasons and provide viewers with updates on their post-show lives. The latest episode begins as the premiere concludes, amid heated discussion between former actors Tami Roman and David Edwards about one of the most jarring moments captured on television that led to Edwards becoming the the first real start. only.
Called the “pillow incident,” episode six of the original season in Los Angeles, which premiered in 1993, captures Edwards attempting to rip off Roman’s blanket while she’s lying in bed — and ultimately. on the floor of the hallway — as she repeatedly told him to stop and resist his tug-of-war. After Edwards removed the blanket, Roman, wearing only a bra and underwear, ran to hide in the bathroom and then confronted Edwards and the rest of the men in the house for laughing and angering him. . After a night of litigation over the behavior of Edwards, Roman and other female roommates, Beth Stolarczyk and Irene Berrera-Kearns, eventually convince the rest of the house to vote for Edwards to leave.
What unfolds between the house between the incident and Edwards’ exit is an uneasy dialogue about boundaries, consent, and communication that is extremely uncomfortable on return visits, especially in an era where behavior This would cause enormous outrage if it happened, such as, Oldest brother or Love Island. Plus, a younger generation of roommates will (hopefully) have a more immediate understanding of the violation that happened. However, on The real world, male actors must be held hands by women to empathize with Roman’s discomfort and humiliation. Actor Jon Brennan, who decided not to participate Come home, expressed fear at the possibility of women kicking Edwards out of the house, comparing it to a false rape allegation. And Edwards, who revealed himself shortly after the incident and continued to follow the women around the house despite their protests, is not responsible for the harm he caused his friend. , reducing a rather traumatic act to a joke and a misunderstanding.
Eighteen years later, Edwards’ interpretation of the incident still hasn’t progressed. After seeing the footage on a giant flat-screen TV in the living room on Come home debuting the season, Roman says she’s willing to give Edwards a “passing ticket”, explaining that her laughter throughout the incident may have confused him but was nevertheless not out of annoyance. Edwards refuses Roman’s olive branch, which leads her to reveal her battle with body dystrophy makes the matter particularly jarring. As the producers rolled out more footage, Edwards’ reaction became more and more permissive to the point that he burst into laughter.
The pained look on Roman’s face and the exasperation in her voice when she was forced to reopen this wound was indigestible. As much as the producers and audience would like to believe, all of these adults have gotten a clearer, more informed view of the event nearly two decades later — though Edwards’ interviews leading up to this scene says otherwise — it seems like there must have been some mediator present to validate Roman’s feelings and keep Edwards from manipulating the situation that happened. Instead, the trauma Roman suffered that night and Edwards’ claim that the cast’s defamation of him affected his burgeoning comedy career were considered similar acts of harm. .
It’s amazing how the past four years of dialogue around the topic of sexual misconduct has completely collapsed on a self-proclaimed progressive platform like The real world. This moment of accountability and steps towards healing is quite counterintuitive that feels like a documentary about the dangers of #MeToo and the desperate attempt to find the gray area in an issue that doesn’t matter. complex.
“This moment of accountability and steps towards healing is quite counterintuitive that feels like a documentary about the dangers of #MeToo and the desperate attempt to find the gray area in an issue that doesn’t matter. complex.”
Likewise, Edwards uses Roman’s revelation of her body struggles as a crutch because of his lack of understanding at the time about her behavior, as if trying to expose An almost nude woman is only insulting if she has a negative body image. He eventually apologized but with a cold attitude that didn’t acknowledge the fact that he ignored Roman’s objections about his “joking” or trying to expose someone’s naked body for a while. openly is a legal act of sexual abuse. He then shifts the focus of the conversation to Stolarczyk, and Berrera-Kearns compares his actions to the rape in the first season and, according to him, destroys his career. That’s a pretty far-fetched statement in that, one is to assume that Edwards would have been the star of this popular comedy if it weren’t for this incident and, two, that the world judges him based on women’s comments about him. him, not the movie that aired in which he trespassed on Roman. His assertion that he has been “cancelled” is also denied by the fact that he has continued to appear in films such as Bake half, House party 3 and Scary movie 3 after his The real world tenure while continuing to stand up. He was also invited by the producers to participate in the contest The real world spin-off / competition show Challenges.
Both Stolarczyk and Berrera-Kearns explained that their comparison to rape was out of fear rather than outright unprovoked, something Edwards didn’t even participate in. However, Edwards still had a chance for sympathy when producers filmed the actresses talking to executive producers Mary Ellis Bunim and Jonathan Murray after the incident made him feel like he was “watching a movie”. [his] crucifixion. They also show him crying with Murray after being told he had to leave.
While it’s possible that this never-before-seen footage was used to protect the producer against allegations of negligence (even though they should have intervened within the few minutes that the veiled incident took place), both both clips made the female cast cry and eventually apologize for not being willing to work through their issues with Edwards on the show. It’s a disappointing and unpleasant conclusion that’s limited even more crudely to the scene where David meets his daughter — who, of course, sided with her father — to discuss what happened to her. co-stars.
The real worldThe fatal flaw of, despite being one of the best shows on television, always assumes that people have different identities and therefore different levels of power that can simply be hashed out.” differences” without considering how mentally and emotionally tax the process. for those with less power — often women, people of color, and the freaks of their choosing. Likewise, no matter how well the producers may have assumed Roman, who has made a name for himself as an assertive, outspoken person on VH1’s Basketball wife and social networks, can handle the situation — however it is a racist speculation that leaves Black women unprotected — she has never approached this discussion on the same playing field as a black man. outspoken black who can eventually weaponize his fringe on her and invalidate her experience.
While it looks like there will be more drama between Roman and Edwards in the upcoming episodes, Real world go home can’t afford to air these dangerous, unbalanced stories centered around #MeToo-related topics at a time when Black women are constantly being hidden and unheard of for the sake of Black men. . So far, the abrupt start of this season has proven that the franchise is ready to “get there,” but they’re only going to get real.
https://www.thedailybeast.com/the-real-world-royally-botches-its-first-metoo-scandal-again?source=articles&via=rss The ‘real world’ Royally outlines its first #MeToo scandal, again