“I am never satisfied. I haven’t done one thing sooner than I am boiling inside of me to do another,” said Hedy Lamarr, Golden Age screen siren used to say.
And do what Lamarr did. The gorgeous star of the classic includes Algiers and Samson and Delilah more than the label she was given, “the most beautiful woman in the world.” Married six times, she is a pioneering actress, female producer, impresario . ski resort, painter, art collector, and groundbreaking inventor whose key innovations are meticulously listed as Pulitzer Prize winners Richard Rhodes2012 book Hedy’s Folly: The Life and Groundbreaking Inventions of Hedy Lamarr, The World’s Most Beautiful Woman.
However, it was another book that would change Lamarr’s life. Ecstasy and Me: My Life as a Woman, written by Cy Rice and Leo Guild (who is also the ghostwriter of the infamous Barbara Payton narrating it all I’m not ashamed), was released in 1966 and became an instant bestseller.
Based on 50 hours of recorded conversations with the eccentric, vulnerable Lamarr, Ecstasy and I is a strangely gripping chronicle of how women have been sexized, minimized, and trivialized throughout history. Though classified as an autobiography, the book begins with a male psychologist claiming that Lamarr’s gender identity is “completely unaffected by the moral standards that contemporary culture holds.” Our modern claims to be tolerable,” and has continued to nauseous ever since.
Lurid, passionate encounters from one Roger Corman Pornography and sexual trauma disguised as sex are the main focus of this supposed autobiography, though it is sometimes broken, oddly, because of the transcripts of conversations Lamarr records with a psychiatrist. Mixed in are standard Hollywood chatter–sometimes rude, sometimes kind-hearted portraits of everyone from Judy Garland to Clark Gable to Ingrid Bergman–and unnecessary sentences. like “Why Americans doubt the bidet, I will never know. They are the last word in cleanliness. ”
End of 2010 Beautiful: The Life of Hedy Lamarr, biographer Stephen Michael Shearer wrote that people close to Lamarr believed that some of the stories in the story were meaningless Ecstasy and I were both accurate, with Lamarr’s own voice sometimes breaking the sensationalist confusion. But they also feel the strange sex stories are outright lies. The reader has the feeling that although Lamarr may have said the things for which she is quoted, statements made while she may have been tall should not be taken as face value. No wonder Lamarr sued unsuccessfully in an attempt to block publication Ecstasy and I, which she Labeling “Fiction, untrue, vulgar, scandalous, libelous and obscene.” As she told Merv Griffin in 1969, “That’s not my book.”
Lamarr was born Hedwig Kiesler in Vienna, Austria, in 1914, an assimilated Jewish family. In Hedy’s Folly, Rhodes paints a captivating picture of Lamarr’s young artistic, intellectual Vienna, exploring the forces that will shape her (and making readers wish they could turn back time). While Lamarr’s devout mother worried that her beautiful, bright and tough only child would become spoiled, her father, Emil, a famous banker, pampered and cared for her. his precious daughter. “He made me understand that I had to make my own decisions, form my own personality, think about my own thoughts,” Lamarr later recalled, according to Rhodes.
Ecstasy and I Lamarr’s description of adolescence was a tumultuous, traumatic time of attempted rape, terrible sexual abuse at a boarding school, and an adulterous relationship with her friend’s father that created “uncountable” orgasms. However, it cannot be mentioned that when she was a teenager, she studied mechanics, and became a fearless self-promoter and a defender of the Max Reinhardt repertory theater.
https://www.vanityfair.com/hollywood/2021/12/hedy-lamarr-biography-old-hollywood The radiant beauty of Hedy Lamarr