Kelly: Everybody was very excited to have work to go to, and we had been very excited to complete it. But it surely additionally was very bizarre to be like, “Wait, what is that this present and what did we do [already]?” We had shot scenes the place they, like, stroll right into a restaurant after which a scene in a restaurant, however we nonetheless needed to shoot the scene the place they stroll out. It was actually like, “Okay, they’re all one 12 months older. What did their hair appear like?”
Schneider: As a result of we had shot items of it, we felt that we couldn’t actually change quite a bit inside the scripts. So we needed to have numerous talks on easy methods to accomplish our present, which occurs at numerous occasions and on a big scale. A lot of the explanation the present works and why you imagine the legitimacy of Pat and Chase is that they’re at that degree. The concept of getting a giant occasion the place there are ten extras unfold out was not within the playing cards. So it was having some logistical conversations about easy methods to accomplish the size of our present inside the new confines of easy methods to do it safely. It was positively a brand new world.
Perhaps it’s because of the previous 12 months, however tonally, it looks like there’s been numerous development between season one and season two. It’s somewhat darker, somewhat extra mature, and the familial relationships, significantly the central one between Brooke and Cary, have gotten deeper.
Kelly: We do all the time discuss concerning the popular culture jokes and the comedy and, like, the zaniness of it. However we do consider it as a household present. And we do need it to really feel grounded. And we do need the human beings on the heart of it to really feel actual. So I feel we simply form of attempt to push ourselves to consider different methods to discover their relationship. In season one, the principle factor was that [Brooke and Cary] had been the opposite two to their little brother. And now we needed to verify it wasn’t simply, “Now they’re the opposite two to their mom!” However as they alter and develop and make progress in their very own lives, how does the dynamic between the 2 of them change?
Schneider: [Chris and I] each have two sisters. I’ve a youthful brother. We positively have seen our dynamics with our siblings shift and alter and evolve. We’ve gone from hating them to leaning on them so closely. So we all know and recognize and love these sibling relationships, and we perceive that they’re ever-changing. Neither of us have a popstar brother or a chat present host mom, however these sorts of sibling relationships positively we’ve taken from our personal [lives] and from Chris’s and my relationship, which is quite sibling-esque. We all know how these two characters vibe as a result of we reside it day-after-day—typically for a lot of, many hours a day [laughs].
You two go approach again, having been writing companions since your SNL days. Do you discover yourselves drawing from that ability set for The Different Two?
Kelly: I discover it approach tougher to do that, however I feel largely as a result of at SNL, you wipe the slate clear each week. Each hell that you just’re in or something you’re careworn about or something you’re attempting to good otherwise you’re overthinking it’s like, Saturday at eleven thirty, it’s pencils down. Recreation over. To reside with one thing for 2, two-and-a-half years could be exhausting. However SNL ready us in numerous methods as a result of, you realize, it’s such a writers’ present. In the event you get a sketch on the present, you’re accountable for producing it. It lets you form of oversee each a part of the method, which form of prepares you to assist run your individual present.
https://www.vanityfair.com/hollywood/2021/08/the-other-two-creators-have-a-sibling-esque-relationship | ‘The Different Two’ Creators Have a “Sibling-esque” Relationship