Lee Haven Jones‘ debut movie The Feast premiered on the 2021 SXSW movie pageant and acquired a number of optimistic reviews. Immediately, IFC Midnight introduced that they picked up the North American rights to the Welsh-language eco-horror movie, a deal with for style followers simply in time for Thanksgiving.
Directed by Lee Haven Jones and written by Roger Williams, The Feast is a slow-burn horror movie that serves up a hefty quantity of dread. The movie’s press launch describes it as:
“a gradual burn meditation on historical past and custom, greed and accountability, identification and distinction. The Feast is a recent morality story that questions who is really meant to inherit the earth, permeated with a mounting sense of dread that results in a horrifying, blood-soaked conclusion.”
Annes Elwy stars as Cadi, a quiet and reserved younger girl employed to cater a small banquet at a lavish house within the distant countryside of Whales. The house is owned by rich socialites Gwyn (Julian Lewis Jones) and Glenda (Nia Roberts), who stay with their sons Gweirydd (Sion Alun Davies) and Guto (Steffan Cennydd). Cadi is tasked with standard hostess duties akin to getting ready programs, bussing the desk, maintaining the wine glasses full, and being current however concurrently invisible in order to not interrupt the gathering. The night time veers into new territory with the arrival of the friends. Enterprise associate Euros (Rhodri Meilir) begins a dialogue about shopping for residential land for industrial drilling websites whereas their neighbor Mair (Lisa Palfrey) cautiously brings up native legends about an entity that dwells underneath the land the place the household needs to develop.
/Movie contributor Matt Donato reviewed the movie at SXSW and said that this explicit eco-horror movie is:
“one seared across the edges as to not let (plentiful) juices escape and served with a facet of classism that has corrupted idyllic landscapes by inviting abusers who want to destroy the very planet we inhabit with their greed, consumerism, and customarily malicious environmental disregard.”
Meals for Thought
The world is actually on hearth, so it is smart that we’re seeing a rise in eco-horror movies currently. I caught The Feast throughout SXSW and cherished it. I went in completely blind and completely loved how uncooked and ravenous its stylistic and thematic strategy is. Its visible approach is sort of on par with Darren Aronofsky‘s Mom!, solely extra psychedelic and grotesque.
The quiet and reserved strategy jogged my memory of First Reformed’s tackle local weather change. There isn’t a non secular subtext in The Feast, at the least to my data however maybe some viewers can discover a metaphor there that I could have missed as a result of my lack of non secular upbringing. Nevertheless, I do love the folklore facet. The movie’s commentary on consumption, greed, and destruction can also be impressively executed. I left happy and undoubtedly stay up for extra movies from Jones. November can also be the proper launch date not solely due to the movie’s setting and plot, however The Feast is an apt film to debate across the dinner desk with relations and buddies.
The Feast hits choose theaters, digital, and VOD on November 19, 2021
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