Robert Downey Sr., provocative underground filmmaker, dies at 85

“To be as exact as is feasible about such a film, it’s humorous, sophomoric, sensible, obscene, disjointed, marvelous, unintelligible and related,” wrote New York Instances movie critic Vincent Canby. He added that whereas the film had “some uninteresting patches,” Mr. Downey’s “manic assaults on all issues absurd should be cherished for simply what they’re, motion pictures whose vulgar, chaotic type defines their content material.”



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