Rosita (Mabel del Pozo), a resident of Granada, Spain, within the Eighties, is affected person when her fiance (Ariel Texidó) strikes to Argentina. He guarantees they may quickly reunite and marry, however a long time go, and he or she stays within the residence of her aunt (Luz Nicolás) and uncle (Texidó), who raised her. As Rosita waits for the mail, striving to disregard temporality, the flowers tended by her green-thumbed uncle symbolize time and getting older. Bloom-filled buckets usually pepper the stage because the GALA manufacturing unfurls in Spanish, with English surtitles.
https://www.washingtonpost.com/leisure/theater_dance/dona-rosita-gala-hispanic-theatre/2021/09/13/f0f6efe6-14a3-11ec-a5e5-ceecb895922f_story.html | Assessment: ‘Doña Rosita’ at GALA Hispanic Theatre embraces tedium all too effectively