“As a spectator, we were also a bit skeptical,” Wegner added of her approach to capturing the entrance to Peter’s barn. “I love what Jane and Kodi have done here with Peter and his body language. He comes in and he sits like this when he first starts, and then at a certain point throughout the scene, he moves one of his legs over. So he’s almost evasive – but in a very confident way. I remember Jane and Kodi discovering that moment. It was amazing how strangely confident Peter was, with his body to make such a bold move in front of Phil.
“He almost appeared in a fashion magazine in this photo,” Wegner continued to laugh, “with his amazing hair and this pristine shirt style.”
Alongside this image of Phil, we see another deconstruction, or texture, of the masculine cowboy archetype made so iconic in movies like seeker, and play through The power of the dog. In turn, the saddle’s function is equally important: It’s where Bronco Henry once sat, a pivotal moment in the development of Peter and Phil’s troubled relationship. “You can really feel the power shift here in this moment,” says Campion. “Peter realizes that he has emotional control over Phil.”
The specifics of the barn, built by the production designer Grant Major, “It feels easy but really involves a lot of planning,” says Wegner. Indeed, look behind Peter towards the mountains, and you have arguably the most important image of the whole movie: the hillside where Phil and Bronco Henry, and apparently no one else, can see a barking dog. This moment is followed by the two stepping out of the cage towards it, and Peter also identifies the iconic overhang.
Since the barn had to be built there, Campion and Wegner spent weeks on site as it was being built, finding “frame in frame” and exploring lighting patterns before they could film. . They paint the storyboard in the morning, surrounded by the chaos of construction, and enjoy the peace that has disappeared by evening. “Any space like this, with a large window and beautiful dark walls, is a DP’s dream,” says Wegner.
This shot isn’t the final installment of the film, but reflects the incredibly complex process of herding a huge group of animals for the film’s opening scene in a way that’s both safe and ethical and at the same time ethical. of the possible range type. authentically conveys the size and nature of the Burbank farm. In fact, one reason Campion pushed it to the top of the film was to let audiences know what her characters were working on, to avoid any dialogue or gimmicky scenes later, when her story built on momentum. To be precise, to be precise, is essential.
https://www.vanityfair.com/hollywood/2021/12/awards-insider-power-of-the-dog-cinematography-feature ‘Power of the Dog’: Netflix’s Beautiful Cinematography Story