‘Pass Over’ review: The first play in what feels like forever has opened on Broadway

What it does provide is juicy however: a grand platform, savvily orchestrated by director Danya Taymor, for the protean skills of Hill and Smallwood as Moses and Kitch, a few guys who hang around seemingly endlessly on a violent metropolis block. Nwandu’s fashions are Vladimir and Estragon of Samuel Beckett’s “Godot,” characters stranded, however ever hopeful, in a grim void. Beckett’s solitary landmark, a barren tree, is changed right here on Wilson Chin’s stark set by a single lamppost, beneath which Moses spins desires of a “promised land” for Smallwood’s emotionally dependent Kitch.

https://www.washingtonpost.com/leisure/theater_dance/pass-over-broadway/2021/08/22/01ba1088-0298-11ec-ba7e-2cf966e88e93_story.html | ‘Go Over’ review: The primary play in what looks like eternally has opened on Broadway


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