Over the past year, Marvel has succeeded in bringing its cinematic universe to television through a collection of popular – and mostly commendable – Disney+ series (WandaVision, Falcon and the Winter Soldier, Loki, Hawk Eye). However, since those projects revolve around existing characters from its film franchise, one thing the studio has yet to complete is launching a new hero on the small screen. Moonlight Knight (March 30) is a first attempt at doing just that, introducing the general audience to a giant character with the power of justice of a giant in Egyptian comics. Starring Oscar Isaac and Ethan Hawke as enemies in an adventure set in the Middle East, Jeremy Slater’s six-episode origin story continues to usher in the next phase of an ongoing epic. Marvel’s, and if it can also happen (if not better) as a theatrical feature, it nevertheless boasts enough star personality – and craziness – to continue a winning streak of fans. Hollywood tune.
An all-white masked and caped guard with super strength, speed, and agility who can deliver punitive blows with fists, feet, and crescent-shaped blades, the Moon Knight of the calendar history has come to be known as Marvel’s de facto answer to Batman. However, instead of the Dark Knight, Moonlight KnightThe protagonist’s main character closely resembles Dr. Jekyll and Mr. Hyde by Venom, a schizophrenic with two dueling personalities who is also plagued by the constant nagging of a world creature. other: Khonshu (voiced by F. Murray Abraham), a disgraced Egyptian. god with a skull with a giant beak and a giant scepter who believes that evil should be dealt with with extreme prejudice. The man in question is Steven Grant (Isaac), a genteel and frequent lover of Egyptian history, who aspires to give tours at the British museum, where he works in the door. gift goods. His life is a nerd loser, though from the start it’s clear that something strange is going on with Steven – largely because he never seems to know what today is. what time and he sleeps every night with his ankles shackled to the bedpost. .
[Minor spoilers follow]
Steven’s goofy British accent isn’t as authentic as the artefacts he cherishes, which is intentional, as his inherent identity is up for debate. Trying to get some rest one evening, Steven is suddenly taken to a remote village where he is being chased by gunmen and the witness will be the messiah Arthur Harrow (Hawke) using a magic wand and tattoo. scales of justice on the forearm to judge the souls of some. among his many brainwashed acolytes; When one failed this divine test, she died right in his arms. Arthur covets a golden scarab that Steven, much to his surprise, possesses, but a mysterious presence prevents Steven from obeying Arthur’s request, controlling his limbs like a puppet manager. A car chase ensues, and Steven temporarily loses power the moment he’s in grave danger, waking up to find that his attackers have been viciously taken down. Before he could handle the situation, he sat up in bed. Alas, the comforting notion that it was all just a dream is complicated when he realizes that he has lost his two days, as well as his discovery (in a secret compartment in his apartment). his cell phone was receiving an angry call from a woman. call him Marc Spector.
As Steven learns, he is Marc and Marc is who he is, two consciousnesses co-existing in the same Oscar Isaac body. Furthermore, they both see Khonshu, a disgraced god who has granted Marc – a mercenary, and the current Avatar of Khonshu – the ability to transform into the Moon Knight, a semi-indestructible badass. When Steven gains control of his physical form and imparts those powers, he becomes Mr. Knight is dressed in dandy white, like a more stylish and refined variation on this divine self. However, parsing such details doesn’t really matter; The key here is that Marc and Steven are at war with themselves, and with the bloodthirsty and unreliable Khonshu, and also with the superman Arthur, who was formerly the Avatar of Khonshu, and is now seeking to revive. god Ammit so that she can bring about a heavenly truth by judging before mankind their future as well as their past and present sins, and wipe out all wrongdoers from the face of the Earth .
Steven/Marc soon teamed up with thief archaeologist Layla (May Calamawy) on a Indiana Jones– the stylistic mission to thwart Arthur’s plans, and director Mohamed Diab and team of Aaron Moorhead and Justin Benson handle the show’s mind-bending, globe-spinning action well; the latter in particular proves to be very relevant to the psycho-temporal-swirl madness of materials. The series’ plots have occasionally become sloppy during its first four seasons, with story dilemmas exacerbated by characters’ refusal to tell (or hear) basic events can prevent things from spiraling out of control. However, overall, Moonlight Knight is yet another in a long line of well-oiled Marvel machines, offering a mix of winning personality-oriented humor, functional combat, and hit CGI — Moon Knight looks great; On the other hand, many generic creatures are often hidden from view in the murky darkness – which fans have come to expect.
“‘Moon Knight’ is another movie in a long line of well-oiled Marvel machines, offering a combination of winning personality-driven humor, functional combat, and successful CGI…”
Steven and Marc are both familiar archetypes, the former a sweetie with dreams of becoming a hero, and the latter a hardened soldier with a hidden sensitive side. However, Issac’s charm and energetic physicality enlivened their fighting drive. Hawke, meanwhile, continues Josh Brolin’s tradition of Thanos as a Marvel villain who has a theoretically lofty goal – eliminating the evil world – but his methods are purely ideological. genocide. Sporty ponytail and long robe, coupled with the calm and patient arrogance of a soft-spoken cult leader who was convinced he was on the right path and thus will (and must) be unstoppable by any potential adversary, human or otherwise, his Arthur is just the kind of formidable villain needed to provide the proceedings with balance. dramatic / timbre, not to mention a little insanely subtle.
As with the rest of the MCU’s recent multiverse efforts, Moonlight Knight ended up getting a little messier, making it operate according to pre-existing rules, regardless of the unique Egyptian cultural details and religious lore, as well as the violence by franchise standards. its extreme trade. These plainclothes hero murders are frequent and unrepentant, and while his initial outing isn’t an outright killer, it’s still additional evidence of his supernatural powers. Marvel’s songwriting in remaking formulas in novel, engaging, and entertaining fashion.
https://www.thedailybeast.com/moon-knight-is-the-mcus-most-violent-superhero-epic-yet?source=articles&via=rss ‘Moon Knight’ is the most violent superhero movie in the MCU