Matt Damon And Ben Affleck Didn’t Write The Ending To Their First Script In 25 Years

It’s taken a very long time for Ben Affleck and Matt Damon to jot down one other script collectively, with Ridley Scott’s The Final Duel coming to theaters on Friday, 24 years after Good Will Looking arrived and finally led to the duo nabbing an Academy Award for Greatest Unique Screenplay.

In fact, the childhood mates have remained shut mates and common collaborators on both aspect of the digicam since then, however they only didn’t choose the suitable undertaking to crack collectively. An R-rated medieval drama set in 14th Century France was hardly the obvious choice, however The Final Duel has been successful sturdy critiques since premiering on the Venice Movie Competition.

The Oscar-winning A-listers ended up sharing the screenplay credit score with Nicole Holofcener, and in a brand new interview with SlashFilm she reveals how she ended up being introduced on board to jot down virtually your complete third act.

“Matt and Ben had already began writing and had determined to jot down it on this three-part standpoint sort of manner. And so they requested me to come back and write the final half. And I used to be thrilled. They didn’t should beg me. After which I might ship pages to them and we’d sit down collectively and work on one another’s scenes. I mainly wrote the third act, however in addition they had a hand in it. As a result of it needed to be part of the entire film. And when good writers have concepts, one ought to take them. And so, between Jodie and them, it was actually collaborative. Actually collaborative with all of the actors too.

So, generally, we wrote aside, some collectively. And we needed to use the truth that, traditionally, individuals are in some ways, largely accustomed to ladies being secondary and tertiary characters. In order that it will appear out of the bizarre. And she or he was keen to play that and makes the reveal, I believe, a lot extra highly effective and chic, to see the distinction between a primarily two-dimensional particular person, and a fully-realized, three-dimensional human being.”

The Final Duel tells its story from a number of viewpoints, with Damon and Affleck largely dealing with the male characters. When it got here to writing within the mindset of Jodie Comer’s Marguerite de Carrouges, you may perceive why they deemed Holofcener a significantly better candidate to deal with themes of systemic misogyny and sexism than a pair of middle-aged multi-millionaires.

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