Entertainment

Maja Doroteja Prelog’s ‘Cent’anni’ Wins Cannes’ Docs-in-Progress Award

Maja Doroteja Prelog’s “Cent’anni” received this 12 months’s Docs-in-Progress Award given out by the Cannes Film Market with the assist of the Intl. Movie Expertise Assn. (IEFTA), which was introduced at a ceremony on Tuesday in Cannes.

Prelog’s function was chosen out of the 32 works-in-progress that had been introduced this week throughout the Cannes Market. The award features a €10,000 ($11,800) money prize {and professional} challenge follow-up.

“Cent’anni” is a private confession concerning the affect of sickness on a relationship, following Prelog’s accomplice, Blaž, a leukemia survivor who embarks on a rare biking journey to heal from the traumatic expertise. The jury described it as “a brave step in an unknown journey that dives into a pair’s battle by a struggle for all times and love, with a promising cinematic strategy.”

The movie is produced by Rok Biček (Cvinger Movie, Slovenia), Alessandro Leone (Agresywna Banda, Poland), and Massimo Casula (Zena Movie, Italy). It was introduced as a part of the CIRCLE Ladies Doc Accelerator Showcase.

“‘Cent’anni’ is greater than a movie to me. It’s me. It’s my life,” Prelog mentioned on the ceremony by video name. “Once I began on this challenge three years in the past, I wasn’t precisely certain the place it will take me. However I promised myself that it doesn’t matter what would occur, I’d all the time keep sincere. And it seems that this promise that I gave to myself was more durable to maintain, and more difficult, than I believed it will be.

“It takes numerous braveness and coronary heart,” she continued. “It’s actually arduous to do a private movie, as a result of no one can let you know what to do. It’s important to determine it out your self. So this award is a affirmation for me that I’m on the proper path.”

Annually, Cannes Docs companions with main festivals and organizations from internationally to showcase curated alternatives of docs-in-progress for trade determination makers, together with pageant programmers and gross sales brokers. The initiatives are within the ultimate levels of modifying and are aiming to hit the circuit throughout the coming weeks and months.

The eight showcases this 12 months had been introduced by Telefilm Canada, in partnership with Scorching Docs and the Montreal Intl. Documentary Competition; Sheffield DocFest; Chiledoc; the Competition dei Popoli – Intl. Documentary Movie Competition, in collaboration with the Toscana Movie Fee and the Piemonte Movie Fee; the CIRCLE Ladies Doc Accelerator; ParisDOC, the skilled platform of Cinéna du Réel; the Palestine Movie Institute; and the Intl. Movie Initiative of Bangladesh.

Earlier within the day, the Doc Alliance hosted its 14th annual award ceremony throughout a particular lunch reception in Cannes. Doc Alliance is the community of seven of Europe’s main documentary movie festivals: CPH:DOX (Denmark), Doclisboa (Portugal), DOK Leipzig (Germany), FIDMarseille (France), Ji.hlava IDFF (Czech Republic), Millennium Docs In opposition to Gravity (Poland) and Visions du Réel (Switzerland).

The Doc Alliance Award for greatest function went to “The Blunder of Love,” by Rocco Di Mento, which was nominated by DOK Leipzig and produced by Valeria Venturelli on the German Filmuniversität Babelsberg Konrad Wolf. By way of outdated 8mm residence films, an unpublished novel, love letters and a bunch of long-suppressed emotions, Di Mento units out to discover the parable of his grandparents’ romance and tries to honor his deceased grandfather on movie, assisted by their surviving kinfolk, solely to find that issues won’t have gone as household lore depicted.

The jury mentioned that whereas “The Blunder of Love” isn’t the primary movie through which a director turns the digital camera on their very own household, “it’s executed with an enthralling curiosity that evolves into a real deconstruction of delusion and a discrete revelation of household secrets and techniques and trauma and the way it’s handed on from era to era.”

The Doc Alliance Award for brief movie went to “Bless You!” (Zdrastvuyte!), directed by Tatiana Chistova and nominated by Millennium Docs In opposition to Gravity. In opposition to the backdrop of Saint Petersburg’s courtyards throughout the COVID-19 lockdown, the movie fuses recordings of the virtually empty metropolis and calls to a municipal hotline designated for the aged, after the federal government imposed a strict round the clock curfew on them.

The jury mentioned the movie “captures the sensation of tension, isolation, boredom and confusion within the pandemic and finds a quite simple, however highly effective and sincere technique to do it.” “Bless You!” is produced by Maciek Hamela for Impakt Movie, with gross sales dealt with by Berlin-based MAGNETFILM.

“The Blunder of Love” acquired a €5,000 ($5,900) money prize, and “Bless You!” a €3,000 ($3,500) money prize, for the administrators to spend on their subsequent initiatives. Moreover, the Doc Alliance festivals have dedicated to display no less than three of the nominated movies at their subsequent editions.

Different awards handed out on Tuesday embody:

The Suppose-Movie Affect Award was given to “Munni,” which is directed by Tahrima Khan and produced by Abu Shahed Emon (Batayan Productions, Bangladesh). The movie was introduced as a part of Showcase South Asia. The jury mentioned the prize is “to assist the principle character on her mission to make this world a greater place, and since as Munni says, ‘Ladies are helpless in each place.’” The award comes with a customized session on the film’s affect and outreach technique courtesy of Suppose-Movie.

The DAE – Documentary Affiliation of Europe Award was given to “Gwetto,” which the jury praised “for a robust presentation of a robust and gifted creator.” The movie, which is directed by Michaël Andrianaly and produced by Michaël Andrianaly (IMASOA FILM, Madagascar), was introduced as a part of the Showcase ParisDOC – Cinéma du Réel. The award consists of free DAE membership and tough minimize session.

The Alphapanda Award was given to Yousef Srougi’s “Three Guarantees,” which is produced by Marielle Olentine and Zein Khleif (U.S.) and was introduced as a part of Showcase Palestine. The jury praised it “for a private tackle a narrative that takes place up to now and stays very present.” The award consists of two personal tailor-made consultations on movie advertising and marketing.

The Cineli Digital Award went to “Of Canine and Gods,” which is directed by Laurent Van Lancker and produced by David Borgeaud (Roue Libre, Belgium). Heralded by the jury “for its excellent cinematographic imaginative and prescient,” the movie was introduced as a part of Showcase ParisDOC – Cinéma du Réel. Paris-based Cineli Digital will present the filmmakers with knowledgeable DCP.

The VOSTAO Award, which provides French and English subtitles from the Paris-based lab, went to Roberto Baeza’s “Assembly Level,” which is produced by Paulina Costa (La Toma, Chile). The movie was introduced as a part of Showcase Chile. The jury chosen it “for a really emotional expertise that affected us profoundly.”

Honorary mentions got to “Devi,” which is directed by Subina Shrestha and produced by Rosie Garthwaite (Mediadante, U.Ok.), which was introduced as a part of the Showcase South Asia; and “Savoia,” directed by Beatrice Surano, Dunja Lavecchia and Morena Terranova and produced by Stefano Cravero and Enrico Bisi (Base Zero, Italy), which was introduced as a part of the Showcase Italy.

https://selection.com/2021/movie/international/centanni-cannes-film-market-docs-in-progress-award-1235018467/

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