Inside ‘The Baby’, an HBO horror comedy about a murderous baby

It sucks when all of Natasha’s friends start giving birth to babies – but when an infant falls into her life and latches on, the 38-year-old chef’s world turns into a horror show. really. The baby is a serial killer.

Baby, a horror comedy by Siân Robins-Grace and Lucy Gaymer that premieres Sunday on HBO Max, at first it seems like a scathing criticism of the absurd expectations that some (on campus) societies This case is English) placed on women and mothers. However, as the eight-episode limited series continues to evolve, a haunting behind-the-scenes story takes us into something deeper and darker—an unimaginable horror that is real. It’s not too hard to imagine.

Michelle de Swarte plays Natasha, whose keen intelligence conceals a softer, more vulnerable emotional core than one might imagine. Her best friends all embrace motherhood, a journey she doesn’t care about at all, and she can’t help but feel disgusted about it. She drives to a beach bungalow for an impromptu vacation to find her unhappiness but instead finds a young woman who has fallen to her death — and captures the baby. magically followed her from a cliff.

The tiny boy with his yellow knit high heels might be cute to compliment a portrait of Anne Geddes, but there’s something very wrong with this baby.

In addition to his unusual composure after that colossal fall, there was the fact that it seemed everyone who hung out around the infant had died – with the exception of Natasha, who went insane easily Understand when attempts to get rid of the dreaded snake repeatedly fail. Throw in some disturbing dream sequences, a few buckets of blood, and a catastrophic melee at an indoor play center and you’ll have a motherhood horror comedy.

However, it was not until a few episodes later that the series really appeared. There aren’t any major “turns around,” but there’s one major reveal—one that, given earlier, could have imbued previous episodes with the spark they sometimes lack. Although the first six of BabyThe eight half-hour episodes of The Last deliver what one might expect from a baby-killer game (some maternal body horror here, a demonic-playing group scene there). ) things take a while to heat up.

Natasha spends most of the show’s time in isolation from the baby, save for a mysterious female septum doctor named Mrs. Eaves (Amira Ghazalla), whose interest in Natasha’s new ward seems a bit surreal. .. intense. (“He will level your life, destroy your relationships,” she can be heard saying in the trailer. “And once he gets you to himself, he does. will destroy you.”) Still, that relationship becomes as compelling as Natasha’s friendship — your primary window into her world early on — feels generic and immature. However, if BabyIts original sin of relying too much on the widespread, familiar satire of the first part, its second half can atone for much as we explore her family (and baby!) more closely. a little bit.

However, if the original sin of ‘The Baby’ was to rely too much on widespread and familiar satire from the start, its second half could atone for much as we explore her family. (and the baby!) A little more elaborate.”

Natasha may not be interested in procreation, but her sister, a children’s magician named Bobbi (Amber Grappy), is in fact dying of baby fever. The two observed a trauma that had separated their families from different vantage points when they were children, which seems to have driven them in two different directions. Natasha is a cold, protective, slightly sour person; Bobbi is a good-natured, easy-to-please marshmallow. With the arrival of The Baby, the two begin to examine their shared history as well as the stories they tell about themselves.

But the most attractive aspect of Baby is a ghost story in its past — a waking nightmare too horrible to imagine and, unfortunately, all too easy.

This may be a comedy, but thematically, it shares a crib with Margaret Atwood’s The story of the maid. Both explore the perils of a patriarchal society that idolizes infants and treats women as reproductive talk. In BabyHowever, the case of the horror story is rooted in history rather than fiction – a detail that makes viewers feel more uncomfortable.

Any fan of the children’s demonic horror genre will obviously be a natural for the series, as will fans of British horror comedies.. That said, it’s hard not to feel as though a lot has been left on the table. Setting the premise — again, let me repeat, a monster! –one wouldn’t expect the series to feel repetitive and, at times, even limited, from the choice of costumes to the disaster scenes. There’s an excellent satire here and there’s also a bloody horror story, but neither of them seem to have learned to walk. Inside ‘The Baby’, an HBO horror comedy about a murderous baby


Hung is a Interreviewed U.S. News Reporter based in London. His focus is on U.S. politics and the environment. He has covered climate change extensively, as well as healthcare and crime. Hung joined Interreviewed in 2023 from the Daily Express and previously worked for Chemist and Druggist and the Jewish Chronicle. He is a graduate of Cambridge University. Languages: English. You can get in touch with me by emailing:

Related Articles

Back to top button