Baker stated he’s been the recipient of loads of indignant feedback earlier than, so he’s philosophical in regards to the impending response to Pink Rocket‘s open-ended story of a washed-up porn star in pursuit of a teen. He’s additionally assured that A24, the movie’s U.S. distributors, will help him.
“A24 is taking it domestically in the USA, and you already know they’re a fearless firm, and I believe they’re going to take something that comes our means head on,” he stated. “However I don’t need to be adverse about it. I do know we’re tackling robust topics right here, and I do know there are themes and pictures which can be triggering on this movie, I get it. However once more, it’s a part of the dialogue… we’re simply going to see how audiences take it. I perceive it’s going to be divisive, and I perceive I’m going to get some hate mail, it’s OK.”
Cannes Review: Sean Baker’s ‘Red Rocket’
Taking part in in Competitors on the competition, the movie stars Simon Rex (Scary Film) as penniless porn star Mikey Saber—a narcissistic wrecking ball of a person whose return to his Texas hometown is met with outrage and recriminations from his spouse (Bree Elrod) and mother-in-law (Brenda Deiss). When his head is turned by a teen named Strawberry (Suzanna Son), Mikey sees not solely a gratifying sexual conquest, however a porn-fueled meal ticket again to his outdated life in LA.
Baker acknowledged that the story’s open ending would possibly add gasoline to the fireplace of that potential hate mail, on condition that he aggravated audiences that means along with his earlier movie The Florida Project, however that the ambiguous ending was very important to him. “I prefer to be challenged when seeing a movie,” he stated. “I need to take into consideration the movie. If it’s extremely literal, it doesn’t permit me to do any of the pondering after the actual fact. I do know this appears near the ending of Florida Undertaking and I suppose it’s, however I favored the talk that got here from the ending of The Florida Undertaking, regardless that I bought a lot hate mail. 50 % of individuals hated the ending. We tried it once more with this movie in a barely totally different means. Finally, it is perhaps irritating at first however in the end extra rewarding.”
Baker additionally defined his causes for setting the movie in industrial Texas Metropolis in the course of the run-up to the 2016 election: “It doesn’t matter what facet of the aisle you’re on within the U.S., we didn’t see the Trump win coming… It was a significant twist, nearly like a film twist. So, wanting again at the moment, it was nearly like wanting again at an innocence, wanting again at a naivety. So I discovered that an enchanting construction of the place to put my movie.”
As with Baker’s earlier movies Tangerine, Starlet and The Florida Undertaking, Baker co-wrote the script with Chris Bergoch, whereas Drew Daniels (Waves) served as cinematographer, taking pictures on 16mm movie.