Throughout this 12 months’s Telluride Movie Pageant, Neon CEO Tom Quinn despatched a fast textual content to Bong Joon Ho, asking how the Parasite director was doing in Venice, the place he’s serving because the jury president. He’d been serious about Bong as a result of the final time Quinn was on the Telluride Movie Pageant was two years in the past, when Neon introduced Parasite in one of many first stepping stones on its option to its eventual best-picture Oscar win.
“It’s a reminiscence that looms giant and that I’ve simply been holding on to for 2 years,” Quinn advised Vainness Honest at Neon’s social gathering on Sunday at Rustico Ristorante in Telluride. Quinn was clearly glad to be again on the competition after final 12 months’s cancellation, and with a trio of movies—animated doc Flee, Céline Sciamma’s French drama Petite Maman, and the Kristen Stewart–starring Princess Diana movie Spencer—that he’s extraordinarily enthusiastic about.
“I really like Telluride. It’s the kickoff to your entire Academy season,” he stated. “I really feel like we’re beginning anew with these three movies.”
Neon, a comparatively new firm launched in 2017, had its greatest awards season in 2019, incomes a complete of eight nominations on the 2020 Oscars for Parasite in addition to the documentary Honeyland. It was Parasite that made historical past, turning into the primary non-English-language movie to win greatest image and cementing Neon as one to observe. The corporate’s run forward of the 2021 Oscars was quieter (Palm Springs, Ammonite, and doc The Painter and the Thief had been within the dialog however none landed a nomination), however Telluride alone suggests this 12 months could possibly be one other large one.
Spencer, helmed by Pablo Larraín, appears to be the strongest contender of the group. After a splashy premiere in Venice and glowing reviews, Larraín and Stewart flew into Telluride for an additional whirlwind two days of screenings, occasions, and interviews. The director and star had been in attendance at Neon’s social gathering on Sunday, chatting in regards to the movie and the competition. Stewart, on the town for simply 48 hours, was attending Telluride for the primary time, and stated she hopes to come back again with no venture to advertise so she will simply spend the times watching motion pictures.
Stewart will probably be very busy for the following few months, together with her incandescent efficiency as Princess Diana primed to land her her first Oscar nomination within the best-actress race. As an imaginative story about three days in Diana’s life, that includes fantasy parts and sudden plotlines that discover Diana’s inside struggles, the movie required an actor who might carry the venture on her shoulders. (“She actually carried the film,” said Larraín of Stewart. “I carried out the orchestra that turns into a film, however she’s the drive of nature.” ) The early reviews have raved about her transformation into Diana, and identified the parallels to the way in which she’s additionally needed to take care of unrelenting consideration from paparazzi within the public eye.
“It was an enormous threat,” says Quinn of the movie. “All of them left every part on the desk. However seeing the response is totally the reward. I’m thrilled. It’s a film about one thing that’s troublesome, and so they do it in a manner that I believe pushes the boundaries of what cinema could be.”
As a result of it’s not a conventional biopic, which are sometimes a staple of the Oscar race, Spencer may have its detractors and critics. Already the competition viewers did appear break up on it. However Neon’s Portrait of a Woman on Fireplace; I, Tonya; and Parasite weren’t conventional Oscar contenders both—and given Spencer’s early buzz and a intelligent advertising and marketing technique so far, there’s main anticipation constructing round what could possibly be a robust contender within the directing, screenplay, and crafts classes as nicely.
https://www.vanityfair.com/hollywood/2021/09/awards-insider-neon-at-telluride-awards-spencer-oscars | How Neon, the Firm Behind ‘Parasite,’ Is Making ready for Its Subsequent Massive Awards Season