How CGI has changed special effects in film and TV

After finishing a scene, there’s usually a digital hair, makeup, and dermatology session. “You can get rid of a sagging neck, reduce the size of your nose and ears, or slim your waistline.” Rod Maxwell, a digital artist and realistic effects. If everyone looks unbelievably perfect in a TV show, a movie,
Or a music video, it’s possible that the process of skin beautification was invisible: smoothing, polishing, erasing dark spots – techniques often seen in Maxwell’s work. He can even create more facial movement, such as blinking fake eyes or adding movement to his cheeks if that’s not possible on set.

“Today, every movie has a visual effect that goes with every department – makeup, hairdo, lighting, set design,” Bill Corso, co-founder of Digital Makeup Group, who helped recreate the famous endoscopic skeleton on Arnold Schwarzenegger in Terminator: Dark Fate and turned Taylor Swift into Tyler Swift for the “The Man” music video. In Dark Fate, Schwarzenegger is 35 years older than the original destroyer, so Corso kept the prosthesis light and thin, using CGI with Industrial & Magic lights to help create the endoscopic skeleton. Swift wore eight prosthetic devices for her transformation, including an enlarged forehead, nose and earlobes, fuller cheeks, and handheld devices to make her look more masculine. Corso did a few different looks for the singer and songwriter, and in the end she opted for a make-up that was far from her usual look. Everything is prosthetic, including the “Tyler” legs that were fitted in the tennis match video. “They are fake sleeves based on the legs of a real professional tennis player,” says Corso. “They are painted in silicone with perforated hair and worn as knee pads.”

Taylor Swift’s Transformation for “The Man”

Courtesy of Bill Corso

Courtesy of Bill Corso

There’s magic to knowing a person is underneath creative makeup, whether the final look is illusory or rooted in reality. Marino said: “I try to make everything perfect so I can shoot close-ups. “I look to the greats – Rick Baker [creator of makeups for Michael Jackson’s “Thriller” video and The Nutty Professor] and Dick Smith [the man who “made Linda Blair’s head spin” in The Exorcist]. They don’t have the visual effects to fix their work, so why should I? It’s harder now because the camera is better, but that doesn’t mean we should be lazy. ”

This story originally appeared in the December/January 2022 issue of Allure. Learn how to register here.

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