Stanley Kubrick is thought for having broad and high-level ideas for his films (particularly for the time) which will trigger viewers to be left scratching their heads and caught of their minds for weeks to return making an attempt to make sense of all of it. He has been described as a superb chess participant who’s an distinctive photographer. And after watching 2001: A House Odyssey, these titles maintain true.
2001: A Space Odyssey is a kind of films that individuals aren’t meant to grasp after watching, at the very least not the primary time. Stanley Kubrick doesn’t make it simple on anybody both by explaining what is occurring and even providing a precise path in direction of the reply of “what did I simply watch?” As an alternative, after every act, viewers could have much more questions that haven’t been answered for them. Due to this, if somebody says that 2001: A House Odyssey made excellent sense to them after first having watched, then they’re both mendacity or solely understood the broad, surface-level ideas Kubrick explored inside the film.
Kubrick has at all times remained obscure and cryptic when discussing his films. It is because—like with artwork—when a creator explains their work, it kind of loses its which means and turns into nearly silly sounding. This is the reason many will say “let the work communicate for itself.” However when Kubrick finally addressed the ending of his film, that is what he needed to say. The primary character (David Bowman) has supposedly been transported to a human zoo of types, the place he has no idea of time and his life passes by rapidly and in an odd trend. Who put him right here? Kubrick mentioned it was “god-like entities, creatures of pure power and intelligence with no form or type.” Bowman was despatched right here to be studied. And like zoo animals who’re given a “pure” habitat that people consider resembles one thing they’re accustomed to, the room is the “aliens” thought of what Bowman would discover fairly. However in actuality, it’s an “inaccurate reproduction of French structure.”
A number of the broad ideas which might be simpler to grasp inside the movie embody the passage of time and developments in civilization or intelligence. Originally of the movie, viewers see the Daybreak of Man—the place primates first found instruments. From there, Kubrick suggests each intelligence and civilization elevated increasingly more (a nod to the idea of evolution) and progressed to a sophisticated human world the place leisurely house journey and exploration had been attainable. The black monoliths seen all through the movie are a tool used by the god-like entities Kubrick spoke of to make contact with others, and due to them, the primates had been in a position to uncover instruments that led them to the superior 2001 world. What’s fascinating is that regardless that the people progressed a lot, they nonetheless had the identical response to the monoliths that the primates had within the Daybreak of Man—which was concern and uncertainty.
It’s instructed that these god-like beings exist independently of time, as they can pass through all timelines. And it’s their obvious objective to advance the human race. Christopher Nolan is a identified fan of 2001: A House Odyssey, and in his a lot simpler to understand movie Interstellar, which was impressed by Kubrick’s movie, he explored the concept that the super-smart clever beings which might be making an attempt to assist them are literally simply people from the longer term. It could possibly be attainable that Kubrick’s movie is comparable, and the god-like entities are literally simply “people” from the longer term making an attempt to assist individuals of the previous. To a human, a primate is simply an animal whom we are able to observe to find out about our previous, however they aren’t held on the identical stage of intelligence or extremely regarded. The god-like beings could also be viewing the people in 2001: A House Odyssey in an analogous manner that the people would view primates.
Kubrick as soon as mentioned, “the facility of the ending is predicated on the unconscious emotional response of the viewers, which has a delayed impact.” The director mentioned that being “particular about what it’s alleged to imply spoils individuals’s pleasure and denies them their very own emotional reactions.” However giving just a few small details definitely helped fill in a number of the gaps, and it nonetheless permits for individuals to have totally different interpretations. If the primates discovering instruments was the Daybreak of Man, then the star youngster on the finish of the movie will be interpreted because the Daybreak of a brand new world wherein Man has change into one thing greater than, on a pathway to turning into the god-like entities.
There may be heavy symbolism within the film of a circle (or a watch)—suggesting the god-like entities had been at all times watching. Even the spacecraft the crew is on resembles an enormous eye with the tail finish of the spacecraft resembling the optic nerve. HAL helps so as to add to the suspenseful feeling of at all times being watched, and the pc’s complete existence will be checked out as a metaphor for the way know-how is evil and sterile. There’s a lot to dissect in 2001: A House Odyssey, so if viewers didn’t get it after a primary watch, they don’t must really feel alone.
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