Film Review: MARTYRS LANE: A Ghostly Tale of Grief [Fantasia 2021]

Kiera Thompson Martyrs Lane 01

Martyrs Lane Overview

Martyrs Lane (2021) Film Review from the twenty fifth Annual Fantasia International Film Festival, a film written and directed by Ruth Platt, starring Kiera Thompson, Denise Gough, Steven Cree, Hannah Rae, Julie Barclay, Catherine Terris, Lianne Harvey, Anastasia Hille, and Sienna Sayer.

Layered within the decorous austerity of British horror classics however with a refined heathen-like streak, Ruth Platt’s Martyrs Lane manages a assured story of reconciliation and loss regardless of some thematic shortcomings.



Within the English suburbs, the introverted and non secular Leah (Kiera Thompson) finds methods to maintain busy that received’t expose her to taunts from her rebellious older sister Bex (Hannah Rae) nor disapproval from her disconnected mom, Sarah (Denise Gough). The one particular person she will actually connect with, each emotionally and spiritually, is her father Thomas (Steven Cree) – who coincidentally can be a Father on the native church, and runs the mission the place they reside. Too dangerous he’s wrapped up on the church for lengthy hours or is continuously out of city on enterprise, so Leah has to placate her curiosity all on her personal.

This leads her to lastly studying what’s in her mom’s closely-guarded locket: a single lock of curly, golden hair – which, in a household of largely brunettes and/or straight-haired people, appears very a lot out of the atypical. After Leah “loses” it for concern of her mother admonishing her theft, Sarah’s psychological stability disintegrates and he or she additional shuts Leah out.

At this similar second a younger lady (Sienna Sayer) in a lacey white gown, adorned with costumed angel wings and, oddly sufficient, curly blonde hair, begins exhibiting up at Leah’s facet – although that normally means at her bed room window in the midst of the night time, wanting to come back inside to heat up and play video games. Leah, determined for a pal, welcomes this lady into her life, seemingly unperturbed by her unprovoked look. Though the lady’s playful demeanor has a behavior of immediately draining away, whereby she gives Leah with coded messages that can lead her round the home and thru her household’s previous, uncovering long-hidden secrets and techniques because of this.

Martyrs Lane is strongest in its insinuation of a lore, regardless that it may well’t fairly commit to 1 direct through-line of metaphorical evaluation. The religious angle is approached respectfully, notably within the quiet battle between the dutifully pious Leah and the more and more skeptical Sarah (echoed within the supporting roles of Thomas and Bex, to a lesser diploma), nevertheless it does really feel glossed over for a deal with ghostly or demonic suppositions. Fortunately Platt has a very good deal with on soar scares, which come off as straightforward but additionally surprisingly affective in aiding the movie’s supernatural bent.

Tied into that’s the more and more raveled look of Leah’s pal: after Leah digs within the backyard to search out extra clues, the winged lady seems lined in filth on her windowsill; after Leah falls out of a tree with solely a scrape on her head, the lady seems together with her arm all bent off form. If the lady is admittedly Leah’s guardian angel, then the movie posits a lore of angels taking the brute drive of existence on behalf of their human topic … which is fascinating, nevertheless it doesn’t actually match with the climactic reveal and what the lady’s objective actually is. One learn is that of intelligent complexity, however one other equally potent interpretation is that of complicated convolution. (It doesn’t actually assist that the scenes between Leah and her pal, although splendidly acted by each Thompson and Sayer, are probably the most plodding by way of the plot.)

And but that convolution is steadfastly managed, as Platt retains her movie intimate by by no means straying outdoors the confines of Leah’s household’s life. When she does, it’s solely to extend the thriller and the interior ache of the characters. It typically seems like there might be dangling free ends, however Platt succinctly ties them up in a neat little bow.

Nonetheless, simply because the thriller is solved upon conclusion and the conflicts are put to mattress doesn’t imply that Leah, Sarah, or any of the others have really achieved internal peace. They’ve taken the skeletons out of their closet however they haven’t fairly reconciled them but, because the lingering remaining shot sorrowfully suggests. This serves as a reminder of how our ghosts will proceed to hang-out us so long as we empower them to take action. Grief and trauma could be codependent on each other, and Martyrs Lane is one other spirited portrayal of such a vicious cycle.

Score: 7/10

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