Dear Evan Hansen: A Box-Office Flop Might Have Been a Streaming Hit

The weekend field workplace was at its weakest in months, however that is about to alter with “Venom,” “Dune,” and “No Time To Die” opening quickly.

October guarantees to be the very best month for box office since theaters reopened. After this weekend, it may well’t come shortly sufficient. The frustration of “Dear Evan Hansen,” and the absence of another new vast releases, contributed to a $39 million weekend, the bottom home absorb 4 months and 41 % of the identical weekend in 2019. (For context: That specific weekend was the weakest for September-December.)

With the opening days of “Shang-Chi and the Legend of the Ten Rings” nonetheless included in our four-week rolling common of 2021, it falls to 61 % in comparison with 2019. October ought to be higher — or to be extra exact, it must be significantly higher. The shortage of prime new movies for the reason that newest Marvel launch is the primary alibi for the general weak point of September, however that adjustments subsequent week.

“Shang-Chi” stays #1 in its fourth week, the primary title to carry that declare since “Tenet.” It comes because the groundbreaking movie handed $196 million as its home complete, besting Marvel’s “Black Widow” as prime home launch this 12 months.

The Great Protector

“Shang-Chi and the Ten Rings”

Marvel Studios

All credit score to “Shang-Chi,” which acquired terrific viewers response, theatrical exclusivity, and a scarcity of competitors. It appears to finish up someplace round $225 million, a determine that will have made it the #10 movie for 2019, behind three different Marvel releases from that 12 months: “Avengers: Endgame” ($858 million), “Captain Marvel” ($427 million), and “Spider-Man: Removed from House” ($391 million).

“Pricey Evan Hansen” may have been worse: With an A- Cinemascore that differs from its destructive critiques (Metacritic: 39), preliminary estimates of $6.7 million gave approach to a projected $7.5 million. The massive successes of “Mamma Mia!” and “Les Miserables” seem to be one other time; after “Cats” and “Within the Heights,” the push to switch Broadway hits to display screen appears unlikely to proceed.

The Christmas launch of “West Aspect Story” may show an exception, however as a longtime traditional and Steven Spielberg directing, even its success won’t change the equation. Properties like “Pricey Evan Hansen” should have a future, nevertheless it’s more likely as streaming initiatives much like Disney+ capturing the stage efficiency of “Hamilton.”

“Shang-Chi” dropped 39 %, a good maintain. 4 different prime 10 holdovers, three of which have residence availability, held higher. “Free Guy,” which provides Premium VOD Tuesday, dropped solely 19 %. “Jungle Cruise,” which was launched day and date on Disney+, fell 17 %, with “Candyman” down 29 % and “PAW Patrol” down 35 %.

Final week’s weak openers had a worse destiny. Clint Eastwood’s “Cry Macho” fell 52 %, “Carshop” (Open Highway) 45 %. “The Eyes of Tammy Faye” landed at #11 and was off by solely 5 % — nevertheless it additionally tripled its theater depend. (Per-theater common: $459.) It’s exhausting to see Disney-owned Searchlight positioning itself as a long-term outlet for 45-day home windows with outcomes like that.

The weak grosses allowed the Hindi romance “Love Story” to put #10 with an estimated $600,000 in solely 265 theaters. Sure area of interest movies can nonetheless entice audiences.



Warner Bros.

“Dune” opened in 20 extra worldwide territories, taking in $26 million. That compares to an preliminary $38 million in 14. Prime markets held their drops to beneath 40 %, helped once more by little competitors. That adjustments this week when each “Venom” and “No Time to Die” open.

Specialised stays a modest performer at finest. “I’m Your Man” (Bleecker Avenue), Germany’s Oscar submission, managed $34,000 in 16 key theaters in prime markets, higher than another wider-platform releases. In Manhattan, a reissue of Jean-Luc Godard’s “Breathless” (Rialto) with the late Jean-Paul Belmondo took in $9,000 on the Movie Discussion board, whereas “El Planeta” (Utopia) from Sundance 2021 was the highest movie on the IFC Heart with $7,181. Netflix opened “The Responsible” with Jake Gyllenhaal per week forward of its streaming debut at six prime New York/Los Angeles theaters; as standard, no grosses revealed.

The Prime 10

1. Shang-Chi and the Legend of the Ten Rings (Disney) Week 4; Final weekend #1

$13,285,000 (-39%) in 3,952 theaters (-118); PTA: $3,362; Cumulative: $196,459,000

2. Pricey Evan Hansen (Common) NEW – Cinemascore: A-; Metacritic: 39; Est. funds: $28 million

$7,500,000 in 3,364 theaters; PTA: $2,241; Cumulative: $7,500,000

3. Free Man (Disney) Week 7; Final weekend #2

$4,129,000 (-19%) in 3,175 theaters (-113); PTA: $1,300; Cumulative: $114,139,000

4. Candyman (Common) Week 5; Final weekend #4; additionally on Premium VOD

$2,500,000 (-29%) in 2,556 theaters (-264); PTA: $982; Cumulative: $56,800,000

5. Cry Macho (Warner Bros.) Week 2; Final weekend #3; additionally on HBO Max

$2,115,000 (-52%) in 4,022 theaters (+55); PTA: $526; Cumulative: $8,343,000

6. Jungle Cruise (Disney) Week 9; Final weekend #7; additionally on Premium VOD

$1,722,000 (-17%) in 2,065 theaters (-200); PTA: $834; Cumulative: $114,891,000

7. Malignant (Warner Bros.) Week 3; Final weekend #5; additionally on HBO Max

$1,500,000 (-45%) in 2,534 theaters (-967); PTA: $592; Cumulative: $12,264,000

8. Copshop (Open Highway) Week 2; Final weekend #6

$1,265,000 (-45%) in 3,005 theaters (no change); PTA: $421; Cumulative: $4,490,000

9. PAW Patrol (Paramount) Week 6; Final weekend #8; additionally on Paramount Plus

$1,120,000 (-35%) in 1,995 theaters (-274); PTA: $561; Cumulative: $38,761,000

10. Love Story (Sony) NEW

$(est.) 800,000 in 300 theaters; PTA: $2,667; Cumulative: $(est.) 800,000


Extra specialised/restricted/impartial releases

I’m Your Man (Bleecker Avenue) – Metacritic: 77; Festivals embrace: Berlin, Toronto 2021

$34,239 in 16 theaters; PTA: $2,139

El Planeta (Utopia) – Metacritic: 78; Festivals embrace: Sundance, New Administrators/New Movies 2021

$7,181 in 1 theater; PTA: $7,181

Breathless (Rialto) (reissue)

$9,000 in 1 theater; PTA: $9,000

The Eyes of Tammy Faye (Searchlight) Week 2

$621,000 in 1,367 (+917) theaters; Cumulative: $1,531,000

Blue Bayou (Focus) Week 2

$639,000 in 487 (+10) theaters; Cumulative: $639,000

The Card Counter (Focus) Week 3

$290,000 in 739 (+155) theaters; Cumulative: $2,400,000

The Alpinist (Roadside Sights) Week 3

$67,360 in 185 theaters (-60); Cumulative: $705,894


Signal Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. | Pricey Evan Hansen: A Field-Workplace Flop May Have Been a Streaming Hit


Inter Reviewed is an automatic aggregator of the all world’s media. In each content, the hyperlink to the primary source is specified. All trademarks belong to their rightful owners, all materials to their authors. If you are the owner of the content and do not want us to publish your materials, please contact us by email – The content will be deleted within 24 hours.

Related Articles

Back to top button