Darren Criss and Este Haim’s Friendship Takes Center Stage on ‘That Thing I Do’

Darren Criss and Este Haim could have named their podcast That Factor I Do after the mid-’90s film near their hearts—That Factor You Do!, concerning the rise and fall of a fictional rock band—however there’s one other movie that appeared to loom simply as giant when creating their present.

“I believe we’re like, barely obsessive about the Sliding Doorways second,” Haim instructed Vainness Truthful, referencing the 1998 rom-com that follows Gwyneth Paltrow’s character down two divergent timelines. “In the event you’re so extremely obsessed with a number of issues, what’s the factor? What’s the occasion? Was there an occasion that made you sort of pivot and simply go left as an alternative of going proper at that fork within the highway?”

That pivotal crossroads is simply one of many matters that Criss and Haim are desirous to delve into on their present. Produced by Cadence13, That Factor I Do is a friendship-fueled quest to grasp the passions, previous and current, which have formed the careers of different multi-hyphenate artists (Criss is an actor with a background in music, and Haim is a musician with roots in theater). Along with prolonged, intimate conversations with celebrities together with Carly Rae Jepsen, Evan Rachel Wood, and Reggie Watts, That Factor I Do mines Criss and Haim’s insatiable curiosity for all issues artistic to supply episodes which can be as unpredictable as they’re pleasant.

As hosts, Criss and Haim tear by way of every episode like tornados: Accents are adopted, sentences are sung, and film references and inside jokes fly exhausting and quick. Criss is a verbose, hyperkinetic storyteller, fast with a self-deprecating remark or quippy apart, and Haim is raring and unselfconscious, with a palpable enthusiasm for each visitor and each doable topic. It rapidly turns into clear that that is a kind of friendships the place the members appear to roughly share a mind; the place one can riff off the opposite, seemingly in perpetuity, about any variety of matters with out ever becoming bored. And when a pair of celebrities discover themselves so simpatico—particularly a duo as humorous and recreation as these two—what are they presupposed to do? Not begin a podcast?

That was roughly Haim’s pondering, after she and Criss began logging prolonged FaceTime calls in the course of the pandemic that she more and more felt could be entertaining to a wider viewers. Criss, nonetheless, was extra reluctant to start out recording their conversations: “I stated no so many occasions,” he stated. “I actually felt like I didn’t have time. However Este wore me down.”

“I’m fairly relentless after I wish to do one thing,” stated Haim, grinning.

Haim, one-third of the eponymous rock band Haim, skilled her personal “Sliding Doorways second” in her late teenagers, when after years of theater and dance coaching, she selected to attend the College of California, Los Angeles, for ethnomusicology, as an alternative of pursuing drama applications at Carnegie Mellon or New York College. Over 10 years later, with a slew of Grammy nominations below her belt, music movies directed by Paul Thomas Anderson, and a life spent performing alongside sisters Danielle and Alana, there’s no query that Haim loves what she does, and takes it significantly. “I attempt to work at my craft each single day,” stated Haim. “So at the least I’ve that. I positively attempt to keep artistic each single day. If it’s not me writing lyrics, it’s me, you understand, singing concepts into my iPhone.” However she’s nonetheless open a few “starvation” for appearing and dance that she feels remains to be essential to nourish, nonetheless and each time she will. She reminisces about taking an improv class on the Upright Residents Brigade in 2017, and her love of the Suzuki and Viewpoints strategies of appearing, each movement-based strategies that draw on an excessive consciousness of the physique. She claims she nonetheless interrogates actor pals about their experiences working in avant-garde theater (she charmingly calls these conversations “offline podcasts”).

Haim’s ardour when speaking about bodily theater surprises even Criss: “We’ve talked rather a lot about stuff, however we’ve by no means actually talked about [Suzuki],” he stated. “I wish to speak about that within the podcast, as a result of we get to be taught new stuff about one another each week.”

That real-time revelation speaks on to Criss and Haim’s objective with That Factor I Do—to create an area the place artists can converse to all components of themselves, and produce beforehand unknown or underappreciated areas of ardour and talent to gentle. “One of many issues that I all the time love discovering out about artists who I believe are so unbelievable in a single discipline is that there’s normally a seed elsewhere that’s simply as potent,” stated Criss, citing latest interviews with Thundercat, during which the musician revealed his background in visible artwork, and Maya Rudolph, who majored in pictures at College of California, Santa Cruz, earlier than changing into a Saturday Evening Dwell all-star, as prime examples. “Having a creative spirit is by its nature very amorphous. It normally comes with lots of roots that go different locations.”

https://www.vanityfair.com/fashion/2021/08/darren-criss-and-este-haim-that-thing-i-do | Darren Criss and Este Haim’s Friendship Takes Heart Stage on ‘That Factor I Do’

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