Entertainment

Dakota Johnson Is Ready For More

When Dakota Johnson left for Greece to movie Maggie Gyllenhaal’s directorial debut The Misplaced Daughter, she wasn’t but conscious {that a} life-changing yr awaited her. Months earlier, the prolific actress, nonetheless greatest recognized for main the Fifty Shades of Gray franchise, discovered ardour initiatives together with Misplaced Daughter being delayed as a result of COVID, whereas others have been nonetheless gestating. By the point manufacturing on Misplaced Daughter lastly commenced final September, on the Greek island of Spetses, Johnson’s schedule was stacked—she’d go on to work on three extra initiatives back-to-back, and not using a break, over 12 full months. 

Luckily, she began the run with this one. Because the 31-year-old Johnson tells me from a luxe apartment in Telluride (the place the movie had simply made its U.S. premiere), The Misplaced Daughter unlocked one thing in her—a brand new creative path ahead, a brand new window into her potential. Since Fifty Shades, she’s completed the work in indies like A Larger Splash and The Peanut Butter Falcon, however is at the moment receiving career-best notices for her difficult flip in Gyllenhaal’s uncompromising portrait of motherhood. Johnson performs Nina, a younger mom on trip along with her household, and an enigmatic object of fascination to protagonist Leda (Olivia Colman). As Misplaced Daughter develops, Leda and Nina type a tenuous, shaky bond that hurtles towards a shocking, intense finish. 

I spoke with Johnson briefly on the day she’d flown in from Venice, the place the film world-premiered, at a packed filmmaker reception for Telluride—she nonetheless appeared to be processing the challenge’s sheer significance to her, particularly as awards buzz started constructing for it and her efficiency. Coming right here after a yr of nonstop work, she’s eventually able to mirror and take into consideration what’s subsequent. We sat down the following day for a dialog about all of that, and extra. 

Self-importance Honest: One factor you’d talked about to me yesterday was how significant of an expertise it was making this film. So I needed to begin with an enormous query: What does this challenge, this position, imply to you at this level in your profession?

Dakota Johnson: Maggie allowed me the chance and gave me the steerage to go deeper into my artistry, into myself, into my work. She requested me yesterday what I considered the film and he or she stated, “Are you happy?” And I simply stated, “No, I’m honored.” I’m astonished by her work and the performances on this movie. It’s so sincere and it’s such a uncooked fact about motherhood and being a lady.

I felt loads like how Nina feels within the film, which is so hungry and so thirsty for one thing else and to be seen—to not simply be the recent woman on the seaside. She desires extra. She desires to sink her tooth into one thing that satiates this starvation in her thoughts. I really feel like that in my profession loads. I’m like, how can it’s higher than this? I would like one thing deeper and darker, extra actual and extra sincere. I positively really feel like I received that with this one.

Did you speak to Maggie, going into the challenge, about the way you needed one thing like that?

Yeah. And in addition, you solely must ask questions as a way to perceive who someone actually is, and Maggie does that. I believe that she noticed it in me, maybe earlier than I noticed it in myself. It was mutual—let’s go deep collectively.

Do you assume that’s partly as a result of she is an actor herself? You’ve labored with a big selection of administrators, and it’s fascinating that she could be the one to unlock a factor like that in you.

Yeah, I do. There was a stage of understanding and belief that I had for her, as a result of I knew that she is aware of what it feels wish to not be seen. She is aware of what it feels wish to not be dealt with with grace and with care…. The truth that she is an actress, in fact, is a large a part of why working along with her is wonderful. Particularly as a result of she has a director’s thoughts, and likewise has this emotional actor’s thoughts of the right way to get inside one thing, inside somebody’s mind.

How did you each speak about Nina? Notably as a result of, I believe each within the e book and within the movie, she’s an enigmatic, difficult character for a lot of the story.

When Maggie and I began engaged on Nina stuff, I requested her if I ought to learn the novel and he or she was like, “Possibly don’t learn it.” [Laughs] I used to be on the fence about it since you’re taking an artist’s work and bringing it additional. You’re serving to it develop much more…. I need to make this Nina completely actual, and simply genuine and uncooked. She’s disadvantaged—of being seen for being a human being and being an individual with a soul and a thoughts. And it’s devastating, however she’s additionally simply attempting, and that’s additionally devastating. I needed to observe Maggie. It’s not like, Right here’s the e book on a display. It’s somebody receiving another person’s work and having it contact them deeply. That is how they’ll share that feeling with the world.

It feels very very similar to its personal expression; you see that within the performances, too. So that you get to Greece to movie, you could have this actually provocative screenplay. What was it like while you first began taking pictures it and located your rhythms? 

I imply, this complete time making movies throughout COVID is completely different, and it’s arduous and it’s miserable. I’ve made 4 movies in lower than a yr and it’s so fucking hardcore. 

https://www.vanityfair.com/hollywood/2021/09/awards-insider-dakota-johnson-telluride-lost-daughter | Dakota Johnson Is Prepared For Extra

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