Clio Barnard’s ‘Ali & Ava’ – Deadline

Clio Barnard returns to the Cannes Film Festival with the British drama Ali & Ava. Whereas billed as a romance, the Directors’ Fortnight entry doesn’t take the trail of a standard idealized love story, as a substitute exploring the connection between a brand new couple inside Barnard’s social realist world. Primarily based on locals that she encountered whereas filming The Arbor (2010) and The Egocentric Large (2013) in Bradford, it stars Claire Rushbrook (Secrets and techniques & Lies) as Ava and Adeel Akhtar (4 Lions) as Ali.



Ava is a single mom and instructing assistant dwelling within the type of space cab drivers received’t go. Ali is a DJ and landlord who nonetheless lives with the spouse he’s cut up from, and is holding their parting a secret from his household. These characters have plenty of issues, and on paper, they could possibly be dwelling depressing lives in a downbeat movie. However, no: Barnard seeks out the positivity and sweetness of their lives, with successful outcomes.

Removed from stereotypes, these characters have the facility to shock. Ava is greater than a busy working class mom with a tragic previous: she has educational achievements, ambitions and a hopeful spirit that Ali shares. A posh character, Ali has temper swings and issues with going through as much as actuality — and he’s additionally charismatic, loving and type. Supporting characters additionally ship: neighbors, academics and children make an impression, and there are emotional journeys for Ava’s offended son Callum (The Egocentric Large’s Shaun Thomas) in addition to Ali’s spouse Runa (Ellora Torchia).

Akhtar and Rushbrook have been invited to participate in a “chemistry check” and it’s clear they handed with flying colours. Rushbrook provides Ava a shy, candy smile that lights up her face when Ali is current. In the meantime Akhtar brings out Ali’s sensitivity, humor and impetuous spirit. There’s a stupendous scene during which a bunch of youngsters in Ava’s space encompass Ali’s automotive, hurling abuse, seemingly out of boredom and pent-up aggression. He rebukes them, however places a track on the automotive stereo — one he is aware of they are going to love. The youngsters cheer, dance and sing alongside, and Ali finally ends up piling all of them into his automotive for a elevate. It’s an exquisite instance of Barnard’s dedication to difficult preconceptions of the working class northern British city — and like every part in Ali & Ava, it feels very actual.

The 2 characters have very totally different tastes in music, which results in humorous conversations and likewise a romantic scene the place they hear to one another’s most well-liked songs on headphones. It’s a neat concept, however the execution with the music mixing doesn’t all the time really feel easy. However the soundtrack nonetheless brings power, and that’s a small level in a movie with such a vivid milieu and lovable characters. All in all, Ali & Ava is a charmer: Barnard’s most accessible and hopeful movie to this point.

Cannes Review: Clio Barnard’s ‘Ali & Ava’


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