While it doesn’t match live theater, the pandemic-related increase in live streaming has been a boon. The live stream connects audiences and their laptops around the world with artists they may never have met in person. In mid-November, I watched Ashwini Ramaswamy’s “Let the Crows Come,” an engaging, beautifully developed dance style exchange between three women was broadcast live from the Cowles Center in Minneapolis. Ramaswamy, the choreographer of the respected Minneapolis band Ragamala dance troupe, which specializes in the South Indian dance form bharatanatyam. She was joined by contemporary dancers Alanna Morris-Van Tassel and Berit Ahlgren, who trained in the Israeli-developed Gaga movement language. Ohad Naharin. In separate but interconnected solos, the three women structure and tune bharatanatyam’s soft, dynamic qualities as well as its moments of stillness and playfulness. Although each solo is different, certain shapes and lines reappear – wide-legged stance, waving gestures, twisting – as well as a spirit of inquiry and spiritual search. The important thing is that the camera angle, music quality and lighting are all excellent.
Source link Best of dance 2021: Paul Taylor, Ramaswamy, Jacob Jonas