Barbara Kruger exhibition in Chicago is first major survey of the conceptual artist’s work in 20 years

In a 2015 work, “Untitled (Join),” the hand that when held the phrases “I store subsequently I’m” now holds a smartphone with icons that distinction the stark, Manichaean prospects of on-line life. In white, the phrases “Pleasure,” “Data,” “Readability” and “Empathy” communicate to new powers of entry and circulation, whereas the darkish facet is limned in crimson — “Ignorance,” “Hubris,” “Homicide” and “Spam.” In a 2020 video, “No Remark,” cat memes, on-line mapping applications and a stream of surreal textual content and pictures search to dislodge the viewer from taking on-line narcissism as a right.