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At the Smithsonian, two glass shows highlight the medium?s variety, from the fanciful to the conceptual

The present is one in all two concurrent glass-centric exhibitions, giving the medium an outsize presence. “New Glass Now,” at SAAM’s Renwick Gallery, affords a worldwide, modern perspective. If “Murano” is earnest in its opulence, the strategy of “New Glass” is sensible, humorous and self-aware, as evidenced in Deborah Czeresko’s “Meat Chandelier,” a gaudy fixture composed of “sausages” that pokes enjoyable at poisonous masculinity within the glass-blowing world.

https://www.washingtonpost.com/goingoutguide/museums/smithsonian-glass-review/2021/11/10/f119f6e0-3f2c-11ec-bfad-8283439871ec_story.html | On the Smithsonian, two glass reveals spotlight the medium?s selection, from the fanciful to the conceptual

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