An unlucky incident involving a sick canine sparks a heated confrontation on a Bucharest subway, setting off an more and more weird collection of occasions when a cellphone video of the argument goes viral. Earlier than lengthy a well-meaning financial institution employee has her life turned upside-down, because the rising hostility on social media spills over into the true world – with catastrophic penalties.
Impressed by occasions in South Korea in 2005, “#dogpoopgirl” is the function debut of actor-turned-director Andrei Huțuleac. A biting social satire about public morality and on-line outrage, the movie received the highest prize on the Moscow Movie Pageant this yr, in addition to a greatest actress award for lead Andreea Grămoșteanu. Pic is produced by Bucharest-based DaKINO Productions.
Forward of the movie’s Romanian premiere on the Transilvania Film Festival, Huțuleac spoke to Selection about public shaming within the web period, discovering the suitable steadiness between our on-line and offline personae, and why issues are prone to worsen earlier than they get higher.
Your movie was impressed by a real-life incident that happened in South Korea in 2005. How did you come throughout that story, and what attracted you to it as a filmmaker?
I learn the guide “So You’ve Been Publicly Shamed” [by Jon Ronson]. It’s like a small encyclopedia documenting many circumstances of doxxing and on-line shaming. I used to be at a spot in my life the place the ability of the web scared me. There are such a lot of individuals that may assault you, you don’t even know who they’re, they disguise behind their profile image. I really feel that folks really feel there’s much less ethical implication once we are aggressive on-line, since you don’t really take a look at the particular person in entrance of you, and also you neglect that he’s human, too. So I bought a bit paranoid about this, and I began researching this story and noticed that it was the primary case of on-line shaming within the historical past of the web. I assumed it was fairly attention-grabbing, as a result of it’s a very disagreeable incident for somebody to let his canine poop on the subway ground, however I feel there’s no precise motive to go that far into shaming that particular person. I feel there’s a sure type of steadiness that society has to realize when coping with the web, and when coping with attempting to convey good to society.
Was there ever any query for you about whether or not this could be a comedy?
The second I begin writing, even when I attempt to do one thing sober, after the primary three or 4 pages of writing, I instinctively go towards this model of writing. It’s one thing that I’m all for, it’s one thing that I like watching after I watch movies. So I knew from the start that it’s going to be a mixture of comedy and tragedy, like my earlier quick movies. When the ultimate product reaches the viewers, I’m not the one to understand onerous laughs; I’m not the one to understand individuals crying within the viewers. I respect the people who find themselves like, “Man, what the f**okay is that this?” I’m extra into this sort of response. It’s additionally the best way I see life and human existence. I feel it’s what’s really occurring round us. I reside in a world the place I see numerous absurd conditions, over-the-top conditions, that I’d not anticipate, however they exist they usually’re in all places.
Was it tough adapting the story for a Romanian context?
I had no fear about adapting the screenplay for the Romanian public, as a result of I feel it’s extra a narrative in regards to the web than a few particular society. After all then it turns into additionally a bit bit about Romania, as a result of it’s made in Romania, and your instincts let you know to be particular in regards to the story. However I thought of it extra as a narrative in regards to the web age. Even the unique story is only a pretext – this isn’t how issues actually occurred. I solely took the premise and some particulars and I constructed a fiction of my very own based mostly on this story.
You spoke earlier about discovering a steadiness with how we work together with the web. Your movie paints a really unflattering portrait of society, during which everybody – the general public, the police, the media – is complicit. Do you’ve gotten any hopes that we’d really discover the steadiness you’re speaking about?
You need to perceive that I’m type of a fatalist with regards to this subject material. I feel individuals will get to some type of steadiness, however till we get there, I feel we’re going to undergo numerous very tough conditions, no matter that may imply. I feel that folks be taught from their errors, however they must make numerous errors earlier than they be taught. So I feel it’s going to be awhile earlier than individuals discover the steadiness. And if you consider it, perhaps it’s fairly regular, as a result of we’re simply beginning to query, publicly and en masse, the morality of how we use the web.
“#dogpoopgirl” examines the entire worst parts of web tradition in 2021. What kind of relationship do you’ve gotten with the web, each by way of your fears about it, but additionally the way you select to have interaction with it?
I’m fairly energetic on social networks – it’s a part of who I’m as knowledgeable, as a result of I’m additionally an actor, and I’ve to be kind of current on-line. I’ve had my very own expertise with being shamed – perhaps I’ve had my very own expertise with shaming individuals, too. Simply because I assumed I used to be proper in a sure second of time, and I assumed I used to be the truth-bearer, however I used to be not, I noticed later. Some individuals have been harm within the course of. That’s the way it works. We’re adapting to this new instrument – however it’s not that new, it’s simply completely different than it was earlier than. Sooner or later earlier than the social networks, the web was a really good place the place you may discover data, and you may analysis. However it’s turn out to be this very public sq. the place individuals can level fingers at each other with out even attempting to get to the reality. Social networks should not in regards to the fact, they’re about: “I’m proper.” Which is a lot completely different than trying to find the reality. As a result of if you seek for the reality, there is likely to be deadlines when it’s a must to admit that you just’re not proper. And also you’re not very susceptible to try this on the web.
https://selection.com/2021/movie/international/andrei-hutuleac-dogpoopgirl-1235030241/ | Andrei Hutuleac on Public Shaming in Web Period in ‘#dogpoopgirl’