Alicia Vikander Feels Closer to Her ‘Blue Bayou’ Surroundings Than You Think

At first blush, Swedish-born Alicia Vikander couldn’t be farther from her newest character. In Justin Chon’s soulful indie Blue Bayou, she performs Kathy—a Southern nurse anticipating a baby along with her New-Orleans-raised, South Korea-born husband Antonio (performed by Chon). The couple’s existence is rocked when Antonio is taken into ICE custody and threatened with imminent deportation to the nation he hasn’t even visited since he was a baby. 

It was the precise distinction between Vikander and Kathy, and her want to search out their similarities, that made Blue Bayou such an thrilling venture. The movie, in theaters Sept. 17, additionally serves as a reminder to Vikander about why she fell in love with filmmaking. “This has clearly been such a tricky 12 months for therefore many individuals all over the world, however for me, it made me not work for a 12 months, which hasn’t occurred in, effectively, my complete profession,” Vikander tells VF’s Katey Wealthy about working post-pandemic. “In a method that break made me be capable to cease and actually mirror over why I like doing this and make me miss it. It’s a job that reinvents itself and turns into new for every day, which makes it so alive and giving.”

On this week’s Little Gold Males, Vikander opens up about capturing on-location in Louisiana, constructing a connection along with her onscreen daughter, and altering her profession trajectory after profitable an Oscar for in 2016. The episode additionally incorporates Oscars and Emmys race updates, together with a particular farewell to longtime LGM co-host Joanna Robinson.

Take a take heed to the episode above, and discover Little Gold Males on Apple Podcasts or wherever else you get your podcasts. You may as well signal as much as textual content with us at Subtext—we’d love to listen to from you.

Learn a partial transcript of the Alicia Vikander interview under.

My colleague talked to Justin Chon about Blue Bayou a short time in the past earlier than it was at Cannes. He talked about how he felt so assured in your potential to tackle this position that’s, so far as we all know, fairly faraway from your individual private expertise. So when he got here to you with that confidence, how did you’re feeling about it? Did you have a look at this position and say, “Sure, that is one thing I can completely do”?

Nicely, it’s additionally a type of issues the place it is extremely completely different from any position that has been offered to me. And it was a small movie, however it was due to that I used to be very intrigued to do it. Once I started my profession, it was attention-grabbing, I used to be in America and since I had performed perhaps a royal or a princess, or had a little bit of a British accent as a result of I lived there for some time, individuals assume that I come from an upper-class background and that’s not likely the case. I’m extra of a working-class background in a small city in Sweden. 

It was undoubtedly a household story there that I completely may relate to and I like the truth that Justin didn’t query that in any respect. Truly, the entire crew itself [didn’t question it]. I believe we counted the quantity of nations we had in entrance of the digicam and behind. And never quite a lot of Individuals really performed the components within the movie when you consider it. So, I like that it was so multicultural and [Justin] mentioned himself, “I consider that to know Individuals typically it’s even a very good factor to have a little bit of distance.” And I believe that’s true with any tradition.

Whenever you step into a movie that’s such an intimate story, made on this low-scale, do you’re feeling such as you carry extra of your self into it? Does it ask one thing of you extra so than a bigger manufacturing?

https://www.vanityfair.com/hollywood/2021/09/awards-insider-alicia-vikander-blue-bayou-interview-little-gold-men | Alicia Vikander Feels Nearer to Her ‘Blue Bayou’ Environment Than You Suppose

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