5 Underrated Horror Movies Across the Internet

It seems like people today only talk about their relationship with the internet, but one of the biggest forums humanity has to discuss the tough questions falls short on the subject. Something about making horror movies over the internet often ends up as obsolete throwaway garbage.

The latest technology of the era is always scary, often without requiring much creativity from artists to bring out the fright. Internet horror movies far too often lapse into preaching paranoid misconceptions of basic human nature vaguely related to the frightening aspects of life online. It’s often weird, but some artists find the soul in the ever-growing data system to create something special.


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Known in Japan as Cairo, which translates to “circuit,” this 2001 film is one of the best Japanese ghost stories of the era. Released three years after Hideo Nakata defined and popularized the genre Ringu, Kiyoshi Kurosawa pushed the format in a more contemporary direction. While Sadako Yamamura casts the ghosts through a tube TV thanks to a spooky VHS tape pulse find their way into reality through the nascent computer monitor and dial-up modem. The premise sounds weak, barely enough to carry a goose flesh episode, but Kurosawa has turned simple suggestion into a haunting and devastating play. The horror before pulse are not ghosts but the terrifying possibility that no matter how we live, no matter how connected we are, we are always alone.


Developed by writer Isa Mazzei cam partly from her own experience as a cam girl, a theme that also influenced her 2019 memoir. The horror story she developed from this part of her life combines an eerie questioning of identity, a dark look at how people treat sex workers, and a solid horror experience into a tight 90-minute package. The plot follows Alice, a woman who discovers that something that perfectly mimics her looks and mannerisms has taken over her role in front of the camera. Reminds me of Dostoyevsky The lookalike, cam torments its protagonist and audience with the inner terror of an identical double who takes over life and makes it better. It’s atmospheric, visually creative, gripping, and a lot smarter than its premise might suggest. The anonymity of the internet is weaponized against a person to attack and question the very existence of identity. No one is online who he is, however cam asks if someone or something else could take on this online persona without the soul behind it.


In the world of horror films over the Internet, the subgenre “screenlife” is the most direct interpretation of the concept. The trend was popularized in 2015 with Unfriended, which was the product of Timur Bekmambetov, the producer who created the concept. However, this film was plagued with horrible acting, lousy writing, and generally horrible execution of a decent idea. Five years later, however, someone took an almost identical idea and made it hosta story about teenagers feeling real and acting like real people. host is hardly feature length, but it’s as long as it needs to be. The story follows a group of teenagers who watch a session on a zoom call, only to awaken a malevolent spirit that threatens all of their lives. It’s a simple story and fast-paced horror experience adapted from a simple prank director Rob Savage foisted on some of his friends over a video call. The film was made with both the ongoing pandemic restrictions and its impact on humanity in mind. It’s a perfect modern day film.

We’re all going to the World’s Fair

Jane Schoenbrun is one of the most succinct and unique voices when it comes to art on the internet. Their 2021 debut film, which they write, direct and edit, is a visceral scream at the other end of a black LCD screen. There is nothing like it We’re all going to the World’s Fairbut how host, it is not underestimated by lack of appreciation. Most who saw it described it as a powerful coming-of-age journey into the bizarre nightmare of dysphoria and identity. Instead, it’s a matter of visibility. Not enough people saw it We’re all going to the World’s Fair, and that is about to change. Those with an interest in the internet or horror cinema should check out the film because it’s entirely new and the world needs to see what Schoenbrun comes up with next.

Hard Candy

A look at David Slades Hard Candy might mark it as significantly less online than the other films on this list, but it’s still imbued with the horrors that only the internet can create. The film stars Elliot Page and Patrick Wilson as a 14-year-old child and as a 32-year-old photographer, respectively. The two meet in a seedy online chat room, exchange information, and arrange to meet in lecherous circumstances. What follows is one of the most uncomfortable tensions in modern cinema. Hard Candy attacks its audience at every turn, but it has to be seen to be believed.

MORE: 5 Underrated Religious Horror Movies

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